to suancol......a 'yellow/pink based beige'? Having trouble trying to get my head around that colour and 'seeing' it in my mind's eye, suancol! If one had to mix it up....could it also be described as a...pinky beige with some yellow in it... or a yellowy beige with some pink in it? Or is it a pre-mixed colour that can be bought off the shelf so has an actual brand name? I'm very curious! From what I've learnt about colour..and what comes from mixing this with that...I've learnt that BEIGE, like GREY, is one of those indefinite hues that can be a combination of several colours.,,,its not a colour in itself... I was looking at a designr's page where many of the bedrooms featured were in Grey and I was surprised that I really liked some of them...so serene and pearly soft....then it dawned on me, Photography combined with Photoshopping is very clever today. I bet if I painted a my bedroom exactly in those grey colours it would resemble a tomb...probably because of the amount or quality of light coming into the room. So not a fan of grey for interior decor, nor a fan of beige...whatever hue these are. Not crazy about all white interiors either where the colour interest comes from..."pops" of this or that.

Hi Amelia Like the fine lines of the house with the right planting and garden it will look stunning There may be a few things you would like to consider; 1. Its difficult to tell from the photos but I would check that the ceiling veranda lining is not asbestos - The jointing strips of the lining looks reminiscent of how they used to join that horrible material. Get a professional asbestos remover in to check and follow their advice in getting rid of the stuff. 2. The roof tiles are dark and will absorb heat, they will most likely brake in a heavy hail storm (unless their are really good 'terra cotta' ones like Wonderlicht) and also can let possum and other vermin in, (possum are notorious for lifting tiles) and if you do not have insulation and sizalation on the roof this is the time to put some in - and in the ceilings should you be missing some there. Because now you will have a zincalume roof it is good to earth your electrical system and the roof so that all current overloads are taken to the ground, a good electrician will solve this problem. Also if the roof is replaced with zincalume you should check your "Holding Down" straps to the roof. Because the roof was designed for a tile roof there is always the possibility that the "holding Down" straps were not included or are sparse. Because you are going to a lighter zincalume roof these are to checked and increased or included if missing, especially as you may be in an open area were winds can pick up considerably. 3. Its good that you have north facing veranda's to shield you from the summer sun, and what appears to be a concrete floor with tiles on the veranda. I would not replace it with timber decking simply because concrete does not burn in a fire - and if you are in the country there is always the possibility of fire. However some large white or of white tiles say 500x350 or thereabouts resemble flagstones could be good as long as they are very light in color and rectangular in shape. Maybe something resembling a very light sandstone may give more to a country ambiance than the small bathroom tiles of the 50's. Also I would bring out a roof over the front steps ending it with a "or gable end" pitched end" and provide a nice handrail in the middle and pave the bottom of the steps and area to provide a solid end to the steps using the same tiles as the veranda. 4. The existing aluminum windows are certainly and eyesore and not energy efficient in the slightest. An investment in new double glazed timber windows (Not cedar as cocky's like to eat the frames) or powder-coated white aluminum double glazed windows with "Thermal Break" - which are highly energy efficient would return money in energy savings and look great, especially if your frames are around 50 mm in width or greater. 5. I would not touch the bricks - just use very light colours in the veranda and the, doors, window and frames veranda posts. The garden will hide the brickwork below the veranda level making the roof and the lighter units the main features to stand out. The darker bricks will recede. Hoping this is of some benefit Regards Michael Manias

@ambulastar1985 - The lack of insulation in Australian homes is indeed appalling. Coming from a European background where insulation standards are very strict (although they differ from one country to another), I fail to understand why Australia is so behind on that matter. We may not have much cold weather compared to Europe but our summers can be extremely hot and it's silly to rely solely on air-con to regulate temperature. So much energy (and money!) could be saved by just planning the house and insulating it properly to start with, without affecting much the initial cost or construction time frame. In France - which is definitely not a leader in environmental matters! - these days, when selling a house, you have to get an expert to estimate how energy efficient your home is and to indicate the energy rating on the ad and sale documents. Houses that are not energy efficient sell for less and can also be taxed at higher rates by councils. It's been a great incentive to get people to think twice when building and/or renovating.

If you've ever watched anime for any length of time, you know the swords can get downright nuts. They’re twice as big as the characters who wield them, they have curls and spikes that seem glued on for show, and they never quite look like something a blacksmith could actually hammer out in real life. Think of Cloud’s mountain-sized Buster Sword or Ichigo’s long, blocky Zangetsu—cool to look at, but pretty hopeless in a duel. Those flashy shapes aren’t there just to look pretty, though. Each weird weapon helps tell a story, reveals something about its owner, or even tips its hat to samurai culture. To see the bigger picture, we need to peek at how traditional Japanese swords were made, how artists tell stories on screen, and the freewheeling imagination that makes anime what it is. The Rules Behind Real-World Blades A well-crafted sword isn’t a random lump of steel; it obeys centuries-old rules built on how fights actually went down. Take the classic katana. Its gentle curve, called sori, isn’t for show. That bend puts the sword’s center of percussion in just the right spot so the cut lands hard without jarring the holder’s wrist. The curve also gives the blade strength by letting it flex instead of snap when it meets bone or armor. For centuries, real swords were built to win fights and stay alive, not to look cool on a movie poster. The Japanese katana is a perfect example. Its gentle curve, flat blade, and well-balanced weight came from tough days on ancient battlefields. Even small details matter: the round or square tsuba (guard), the grip that lets you change your hold, and the blade that runs the full length of the handle. Each piece had a job, and together they made a tool that worked. When you look at the weapons in the latest manga or anime series, almost nothing behaves the same way. Real blades chased efficiency; cartoon swords chase looks, drama, and a little bit of magic. That switch is so big it pops off the screen and tells fans they’ve crossed into a world where the normal rules of science and physics simply vanish. Swords Tell Stories Without Words Anime turned exaggeration into a language all its own, and the design of swords shows this trick better than anything else. A gimmick that big—think a sword taller than the hero—lets us read the character’s mood before a single line is spoken. We spot the oversized hilt, the sparkling blade, and know immediately: the person grinning behind it has strength that would snap a gym’s barbell. That jaw-dropping look does more than impress strangers. The enormous weapon turns into an instant name tag, so we can spot the hero from a mile away, even in slow motion or silhouette. Add jagged edges, impossible curves, or a neon glow, and the sword becomes a living logo that sketches both style and attitude—one swift swing tells you everything you ever wanted to know about how that character fights. When it comes to action anime, oversized weapons aren’t just for show—they supercharge the fight scenes. The sheer size of a giant sword or hammer let the animators crank up the impact, so every swing feels thunderous. You can almost feel the air move with each cut thanks to the extra drama that big blades add to the story. Japanese sword-making has always mixed skill with philosophy. A katana isn’t just a cutting tool; it’s seen as the body’s twin of the samurai’s soul. Honor, discipline, and purity flow through every forged inch, so when that blade is drawn, something sacred is set in motion. Anime borrows that deep meaning and cranks it up with fantasy colors and motion, making the swords feel even more alive. Lots of shows take the symbolism another step by letting the blade show what the user feels. A weapon that shifts shape when its owner gets angry, or one that glows calm when they breathe easy, turns mood swings into moving artwork. Some swords even grow taller or heavier the harder a hero fights, turning pure willpower into solid metal. These tricks let viewers see thoughts and emotions that words couldn’t capture on their own. The common shape-shifting and power-ups also mirror a key part of Japanese thinking: the endless path of self-growth. When a blade starts small and matures hand in hand with its master, it becomes a living diary of life lessons learned and hurdles crossed. In that way, the weapon stops being just gear and starts acting like a mirror that reflects how far a character has really come. The Rule of Cool: When Flash Beats Function If you spend any time watching anime, you’ve probably noticed that style often trumps realism. That idea is usually called the “rule of cool.” Instead of sticking to the laws of physics or the facts of history, artists focus on creating images that look amazing and feel exciting. Because of this, anime can turn even a simple fight into a colorful spectacle that sticks in your mind. You really see this freedom in sword-and-sorcery shows. Designers whip up blades that wouldn’t work outside a fantasy world—curved edges that bend impossibly, hilts with built-in crossbows, or swords that break apart and fly through the air like shuriken. Much of the time these creations are more about the thrill they give you on-screen than about whether anyone could carry them in real life. That sense of wonder, however, is exactly what keeps fans coming back. The rule of cool also explains why small-framed heroes can swing weapons bigger than themselves. Watching characters lift and spin those monsters without breaking a sweat adds to the magic and helps underline just how different their world is from ours. Sure, the laws of gravity take a vacation, but the jaw-dropping sight makes you cheer anyway. Sketches That Pop: A Classic Case Study One blade that sums up this whole approach is Cloud Strife’s Buster Sword from _Final Fantasy VII_. The weapon is so wide and tall that you half expect it to tip over, yet Cloud hauls it around like it’s a toy. That weird scale tells you right away that he’s both stronger than anyone ordinary and carrying a heavy past. Historians would scoff, yet the sight of that sword crashing through enemies guarantees every fight scene is unforgettable. Bleach has one of the most famous sword systems in anime because every Soul Reaper’s Zanpakuto is tied to who they are. Some blades look sleek and graceful, while others are all jagged edges and raw power. When the sword transforms during battle, it isn’t just for flash—viewers see the character grow in real time. Many manga protagonists wield swords so oversized they would snap in a real fight. Guts’ Dragonslayer in Berserk is a perfect example. The thing is less a sword and more a flat sheet of iron, yet that absurd scale matches Guts’ unstoppable, brute-force approach perfectly. Collectibles and Cosplay Because fans fall in love with these wild designs, a huge market now spins around replicas and collectibles. People line up for wall mounts and detailed models, eager to own a piece of the fiction, even if it could never cut anything. These items don’t get sharpened or taken into the dojo; they function as art. Collectors admire the skill it takes to turn an impossible sketch into working metal, even when the end product looks way too heavy for any normal duel. The attention-to-detail found in high-quality anime weapon replicas is often just as impressive as what you’d see in a traditional sword workshop. Craftspeople face tricky engineering problems while trying to build sturdy, eye-catching models of weapons that were born entirely inside an artist’s sketchbook. To pull it off, they have to use clever new methods and materials that make sure the finished piece looks exactly the way the show promised. Animating those flashy designs isn’t any easier. Artists have to keep every slice and curve looking the same from frame to frame, even though the story might call for a sword to change size, color, or shape in mid-swing. Because the blades are usually packed with small features—ridges, ornaments, glowing sections—each shot takes careful planning so nothing accidentally gets misshaped along the way. Still, those bold outlines are what let viewers recognize characters during the wildest fight scenes. When the screen explodes with motion blur, the unusual silhouette of a signature sword cuts through the chaos, giving the audience a quick anchor so they know who’s swinging what. That ability to signal identity at a glance keeps action looking sharp even when it’s moving a mile a minute. Modern digital tricks have thrown open the doors to even crazier sword concepts. Now animators can slap on swirling energy auras, sprinkle in glowing particle clouds, or have a blade morph right in the middle of a slash—all moves that would have confused the people drawing frame by frame. As computers get more powerful, designers keep stretching the limits of what a weapon can show and do on screen. How Sword Design Tells Stories in Anime If you watch a lot of martial-arts anime, you’ve probably noticed that the hero’s sword can say as much about the person holding it as the voice-over narration ever could. At the beginning of the story, the main character usually carries a straightforward, no-frills weapon. Think ofa basic katana or a trusty wooden blade. As the plot moves forward and the hero trains, struggles, and grows, the sword often gets flashier—longer guard, special engraving, maybe even a glow when they use it. That shiny upgrade isn’t just eye candy; it signals to the audience that the character is getting stronger and more confident with each episode. Because the change happens visually, the viewers pick up on the growth without needing a long speech to explain it. But the bond between a fighter and their blade in anime is rarely just about swinging steel. Many shows paint that relationship as almost spiritual. We see swords that react to their owner’s mood, blades that can “choose” who is worthy to wield them, or even weapons that contain tiny, chatty spirits. When a weapon has its own voice—or at least its own attitude—it stops feeling like a tool and starts feeling like a partner in crime, for better or for worse. That dramatic twist gives character arcs another layer. Triumphs with the weapon feel like shared victories, while failures carry a sense of personal betrayal. Color also does a lot of heavy lifting in these designs. A red-accented hilt might scream aggression or hot passion, preparing us for an explosive battle. On the flip side, blue or silver tones might suggest cool control, quiet power, or a connection to the spirit world. Even the occasional green shimmer can hint at nature themes or healing energy. By swapping out hues, artists cue the audience about the wielder’s emotions or fighting style long before the hero even unsheathes the blade. It’s a clever shorthand that fits perfectly into the bright, fast-paced worlds of anime.