Polish Houzz: Could This Be The World's Skinniest House?
It may only be 1.2 metres wide at its widest point, but two Warsaw creatives still manage to eat, sleep and work here with ease
Could you work, eat and sleep in a 1.2-metre wide studio? This tiny Polish structure, wedged into a gap between two buildings, is 1.2 metres wide at its widest point.
The building serves as a workshop for Israeli writer Etgar Keret. Designed by architect Jakub Szczęsny of Centrala, it takes up about 14 square-metres of once-unused space, filling the gap between buildings with a tiny kitchenette, dining area, bathroom, bedroom and desk.
Studio at a Glance
Who works here: Etgar Keret
Location: Warsaw, Poland
Size: 14 square-metres
The building serves as a workshop for Israeli writer Etgar Keret. Designed by architect Jakub Szczęsny of Centrala, it takes up about 14 square-metres of once-unused space, filling the gap between buildings with a tiny kitchenette, dining area, bathroom, bedroom and desk.
Studio at a Glance
Who works here: Etgar Keret
Location: Warsaw, Poland
Size: 14 square-metres
Of course, this narrow space presented plenty of problems related to Warsaw's city building code, extending the construction time to about three years. Due to the building's size, location and function, the city decided to zone it as an art installation. Szczęsny finished the project in October 2012.
Visitors can access the building from an alley set away from the main street. Steel stairs drop down, revealing the entrance.
Visitors can access the building from an alley set away from the main street. Steel stairs drop down, revealing the entrance.
The building's main resident, writer Etgar Keret, walks up the steps.
The gap between the two buildings is 1.2m at its widest and 0.7m at its narrowest. The triangular building structure allowed Szczęsny to make the most of the narrow and uneven gap.
Everything had to be kept to the basics. The structure is a steel cage standing on two tunnel-like foundations. The hollow foundations allow existing city heating pipes to pass underneath the building. The steel was covered with Kingspan insulated sandwich panels and filled with nanofoam for extra insulation and fire protection.
The front and rear facades are made of translucent 20-millimetre-thick polycarbonate, with two functional windows for cross ventilation. Although the narrow space could’ve quickly become gloomy, the white side panels and polycarbonate facade allow for plenty of light.
The steep stairs, accessed through a trapdoor in the floor, open up into the main living area.
The kitchenette has the basics: electric stove, sink, refrigerator and microwave. Water and heat come through one of the buildings next door.
A small built-in dining space past the kitchenette has seating space for two.
A ladder leads from the living area to the sleeping and working compartment. The just under one metre wide mattress (a little smaller than a twin mattress) and a work desk get plenty of light from the translucent front facade.
Here Keret sits on the edge of the sleeping platform – it’s just large enough for him sit comfortably. “This is a space for one person to write and think away from people, but still be close enough to the world when necessary,” says Szczęsny.
Steel mesh on the more public side of the building veils the home’s two windows for privacy. More photos from this project
The structure blends in from the main street view. Access is hidden from the sidewalk by a just under two metre high wall.