The ensuite is a luxurious space offering all the desired facilities. The warm theme of all rooms echoes in the materials used. The vanity was created from Recycled Messmate with a horizontal grain, complemented by the polished concrete bench top. The walk in double shower creates a real impact, with its black framed glass which again echoes with the framing in the mirrors and shelving.

Robert Schwerdt
This is an example of a large midcentury 3/4 bathroom in Other with a freestanding tub, a trough sink, flat-panel cabinets, dark wood cabinets, concrete benchtops, green tile, beige walls, a two-piece toilet, porcelain floors, beige floor, a corner shower, an open shower and cement tile.

Design ideas for a mid-sized scandinavian master bathroom in Phoenix with open cabinets, grey cabinets, an open shower, gray tile, stone slab, white walls, cement tiles, an integrated sink, concrete benchtops, grey floor, an open shower, grey benchtops, a shower seat, a double vanity, a floating vanity and coffered.

Photo of a small mediterranean bathroom in Paris with flat-panel cabinets, an open shower, pink tile, matchstick tile, pink walls, terra-cotta floors, a console sink, concrete benchtops, orange floor, an open shower, pink benchtops, a single vanity and a built-in vanity.

Internal - Bathroom Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Dog Shower with subway tiles, concrete countertop, stainless steel fixtures, and slate flooring. Photographer: Rob Karosis
Mid-sized country 3/4 bathroom in New York with shaker cabinets, white cabinets, an open shower, white tile, subway tile, white walls, slate floors, concrete benchtops, black floor, an open shower and black benchtops.

Dan Settle Photography
Inspiration for an industrial master bathroom in Atlanta with concrete floors, concrete benchtops, grey benchtops, flat-panel cabinets, grey cabinets, a curbless shower, brown walls, an integrated sink, grey floor and an open shower.

Photo of a mid-sized country master bathroom in Other with a curbless shower, a two-piece toilet, light hardwood floors, flat-panel cabinets, light wood cabinets, grey walls, an integrated sink, concrete benchtops, brown floor and an open shower.

Custom concrete shower shelves were added to the shower wall to bring interest to an otherwise large and vacant surface and provide additional areas for bathing products, candles or decor. Photography by Paul Linnebach

Béton taloché de chez Mercadier teinte Sugar, sur murs et plan vasque par Françoise Espina et Isabelle Chazal Menuiserie réalisée par Thomas Tuquoi.

This is an example of a mid-sized contemporary master bathroom in Chicago with flat-panel cabinets, medium wood cabinets, a corner shower, an undermount sink, concrete benchtops, an open shower, a two-piece toilet, gray tile, slate, grey walls, grey floor and brown benchtops.

This is an example of a mid-sized mediterranean bathroom in Other with an open shower, white walls, concrete floors, concrete benchtops and an open shower.

Contemporary bathroom in Tampa with an integrated sink, flat-panel cabinets, white cabinets, concrete benchtops, an open shower, gray tile, stone tile and an open shower.

This is an example of a mid-sized transitional bathroom in Austin with blue cabinets, an open shower, a two-piece toilet, blue tile, white walls, cement tiles, a wall-mount sink, concrete benchtops, blue floor, an open shower, blue benchtops, a single vanity and a floating vanity.

Photo of a mid-sized eclectic master bathroom in Saint Petersburg with medium wood cabinets, a shower/bathtub combo, a wall-mount toilet, gray tile, porcelain tile, porcelain floors, a vessel sink, concrete benchtops, white floor, an open shower, grey benchtops, a single vanity, a freestanding vanity, flat-panel cabinets, yellow walls and an enclosed toilet.

Inspiration for a mid-sized industrial master bathroom in Los Angeles with a freestanding tub, a shower/bathtub combo, grey walls, a wall-mount sink, an open shower, grey benchtops, a niche, a single vanity, a floating vanity, concrete benchtops, black floor, medium wood cabinets, gray tile and porcelain floors.

2020 New Construction - Designed + Built + Curated by Steven Allen Designs, LLC - 3 of 5 of the Nouveau Bungalow Series. Inspired by New Mexico Artist Georgia O' Keefe. Featuring Sunset Colors + Vintage Decor + Houston Art + Concrete Countertops + Custom White Oak and White Cabinets + Handcrafted Tile + Frameless Glass + Polished Concrete Floors + Floating Concrete Shelves + 48" Concrete Pivot Door + Recessed White Oak Base Boards + Concrete Plater Walls + Recessed Joist Ceilings + Drop Oak Dining Ceiling + Designer Fixtures and Decor.

Photo of a large modern master wet room bathroom in Other with grey cabinets, a freestanding tub, a one-piece toilet, gray tile, slate, grey walls, pebble tile floors, an integrated sink, concrete benchtops, grey floor, an open shower and grey benchtops.

Fabian Birgfeld PHOTOtectonics
Inspiration for a mid-sized modern master bathroom in New York with flat-panel cabinets, medium wood cabinets, a drop-in tub, blue tile, porcelain floors, an integrated sink, concrete benchtops, a corner shower, mosaic tile, white walls, grey floor and an open shower.