This 2,500 square-foot home, combines the an industrial-meets-contemporary gives its owners the perfect place to enjoy their rustic 30- acre property. Its multi-level rectangular shape is covered with corrugated red, black, and gray metal, which is low-maintenance and adds to the industrial feel. Encased in the metal exterior, are three bedrooms, two bathrooms, a state-of-the-art kitchen, and an aging-in-place suite that is made for the in-laws. This home also boasts two garage doors that open up to a sunroom that brings our clients close nature in the comfort of their own home. The flooring is polished concrete and the fireplaces are metal. Still, a warm aesthetic abounds with mixed textures of hand-scraped woodwork and quartz and spectacular granite counters. Clean, straight lines, rows of windows, soaring ceilings, and sleek design elements form a one-of-a-kind, 2,500 square-foot home

Peak Photog
Inspiration for a mid-sized midcentury dining room in Los Angeles with white walls, concrete floors, a standard fireplace and a tile fireplace surround.

This is an example of a mid-sized country kitchen/dining combo in Austin with brown walls, concrete floors, a standard fireplace, a stone fireplace surround, black floor, wood and wood walls.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Esszimmer in ehemaliger Bauerkate modern renoviert mit sichtbaren Stahlträgern. Blick auf den alten Kamin
Design ideas for a large country open plan dining in Hamburg with white walls, concrete floors, a standard fireplace, a plaster fireplace surround, grey floor and vaulted.

Photo of a large modern dining room in London with white walls, concrete floors, a standard fireplace and grey floor.

Photo of a large country open plan dining in Jackson with white walls, concrete floors, a standard fireplace, a brick fireplace surround and grey floor.

Dining Room view of the Reimers Rd. Residence. Construction by Ameristar Remodeling & Roofing. Photography by Andrea Calo.
Photo of a large modern kitchen/dining combo in Austin with beige walls, concrete floors, a standard fireplace, a stone fireplace surround and grey floor.

This is an example of a country open plan dining in Kansas City with brown walls, concrete floors, a standard fireplace, a stone fireplace surround, brown floor and vaulted.

Perched on a hilltop high in the Myacama mountains is a vineyard property that exists off-the-grid. This peaceful parcel is home to Cornell Vineyards, a winery known for robust cabernets and a casual ‘back to the land’ sensibility. We were tasked with designing a simple refresh of two existing buildings that dually function as a weekend house for the proprietor’s family and a platform to entertain winery guests. We had fun incorporating our client’s Asian art and antiques that are highlighted in both living areas. Paired with a mix of neutral textures and tones we set out to create a casual California style reflective of its surrounding landscape and the winery brand.

Dylan Lark - Photographer
Mid-sized contemporary open plan dining in Melbourne with white walls, concrete floors, a standard fireplace and a brick fireplace surround.

Stephen Ironside
This is an example of a large country open plan dining in Birmingham with beige walls, black floor, concrete floors, a standard fireplace and a stone fireplace surround.

Photo of a contemporary open plan dining in New York with white walls, concrete floors, a standard fireplace, grey floor and vaulted.

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

L+M's ADU is a basement converted to an accessory dwelling unit (ADU) with exterior & main level access, wet bar, living space with movie center & ethanol fireplace, office divided by custom steel & glass "window" grid, guest bathroom, & guest bedroom. Along with an efficient & versatile layout, we were able to get playful with the design, reflecting the whimsical personalties of the home owners. credits design: Matthew O. Daby - m.o.daby design interior design: Angela Mechaley - m.o.daby design construction: Hammish Murray Construction custom steel fabricator: Flux Design reclaimed wood resource: Viridian Wood photography: Darius Kuzmickas - KuDa Photography

This is an example of an expansive country open plan dining in Austin with white walls, concrete floors, a standard fireplace and a stone fireplace surround.

Photo Effects
Design ideas for a large industrial open plan dining in Denver with white walls, concrete floors, a standard fireplace, brown floor and a stone fireplace surround.

Anita Lang - IMI Design - Scottsdale, AZ
This is an example of a large traditional kitchen/dining combo in Orange County with beige walls, concrete floors, a standard fireplace, a stone fireplace surround and brown floor.

Dining Room in open plan living space
Photo of a mid-sized contemporary open plan dining in Canberra - Queanbeyan with blue walls, concrete floors, a standard fireplace, a stone fireplace surround and grey floor.