Number 16 Project. Linking Heritage Georgian architecture to modern. Inside it's all about robust interior finishes softened with layers of texture and materials. This is the open plan living, kitchen and dining area. FLowing to the outdoor alfresco.

Design ideas for a large contemporary open plan dining in Las Vegas with beige floor, white walls, concrete floors, a standard fireplace and a stone fireplace surround.

View of great room from dining area. Rick Brazil Photography
This is an example of a midcentury kitchen/dining combo in Phoenix with concrete floors, a tile fireplace surround, grey floor, white walls and a two-sided fireplace.

This open concept dining room not only is open to the kitchen and living room but also flows out to sprawling decks overlooking Silicon Valley. The weathered wood table and custom veneer millwork are juxtaposed against the sleek nature of the polished concrete floors and metal detailing on the custom fireplace.

Ken Hayden
Design ideas for a contemporary dining room in Miami with concrete floors and a two-sided fireplace.

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Design ideas for a mid-sized contemporary separate dining room in Buckinghamshire with white walls, concrete floors, a wood stove, a metal fireplace surround and grey floor.

The main space is a single, expansive flow outward toward the sound. There is plenty of room for a dining table and seating area in addition to the kitchen. Photography: Andrew Pogue Photography.

This 2,500 square-foot home, combines the an industrial-meets-contemporary gives its owners the perfect place to enjoy their rustic 30- acre property. Its multi-level rectangular shape is covered with corrugated red, black, and gray metal, which is low-maintenance and adds to the industrial feel. Encased in the metal exterior, are three bedrooms, two bathrooms, a state-of-the-art kitchen, and an aging-in-place suite that is made for the in-laws. This home also boasts two garage doors that open up to a sunroom that brings our clients close nature in the comfort of their own home. The flooring is polished concrete and the fireplaces are metal. Still, a warm aesthetic abounds with mixed textures of hand-scraped woodwork and quartz and spectacular granite counters. Clean, straight lines, rows of windows, soaring ceilings, and sleek design elements form a one-of-a-kind, 2,500 square-foot home

Photo of a contemporary open plan dining in Austin with white walls, concrete floors, a ribbon fireplace, a tile fireplace surround and grey floor.

Peak Photog
Inspiration for a mid-sized midcentury dining room in Los Angeles with white walls, concrete floors, a standard fireplace and a tile fireplace surround.

Photographer: Lucas Finlay
Design ideas for a large contemporary open plan dining in Vancouver with concrete floors and a ribbon fireplace.

Breathtaking views of the incomparable Big Sur Coast, this classic Tuscan design of an Italian farmhouse, combined with a modern approach creates an ambiance of relaxed sophistication for this magnificent 95.73-acre, private coastal estate on California’s Coastal Ridge. Five-bedroom, 5.5-bath, 7,030 sq. ft. main house, and 864 sq. ft. caretaker house over 864 sq. ft. of garage and laundry facility. Commanding a ridge above the Pacific Ocean and Post Ranch Inn, this spectacular property has sweeping views of the California coastline and surrounding hills. “It’s as if a contemporary house were overlaid on a Tuscan farm-house ruin,” says decorator Craig Wright who created the interiors. The main residence was designed by renowned architect Mickey Muenning—the architect of Big Sur’s Post Ranch Inn, —who artfully combined the contemporary sensibility and the Tuscan vernacular, featuring vaulted ceilings, stained concrete floors, reclaimed Tuscan wood beams, antique Italian roof tiles and a stone tower. Beautifully designed for indoor/outdoor living; the grounds offer a plethora of comfortable and inviting places to lounge and enjoy the stunning views. No expense was spared in the construction of this exquisite estate.

This is an example of a mid-sized country kitchen/dining combo in Austin with brown walls, concrete floors, a standard fireplace, a stone fireplace surround, black floor, wood and wood walls.

The cabin typology redux came out of the owner’s desire to have a house that is warm and familiar, but also “feels like you are on vacation.” The basis of the “Hewn House” design starts with a cabin’s simple form and materiality: a gable roof, a wood-clad body, a prominent fireplace that acts as the hearth, and integrated indoor-outdoor spaces. However, rather than a rustic style, the scheme proposes a clean-lined and “hewned” form, sculpted, to best fit on its urban infill lot. The plan and elevation geometries are responsive to the unique site conditions. Existing prominent trees determined the faceted shape of the main house, while providing shade that projecting eaves of a traditional log cabin would otherwise offer. Deferring to the trees also allows the house to more readily tuck into its leafy East Austin neighborhood, and is therefore more quiet and secluded. Natural light and coziness are key inside the home. Both the common zone and the private quarters extend to sheltered outdoor spaces of varying scales: the front porch, the private patios, and the back porch which acts as a transition to the backyard. Similar to the front of the house, a large cedar elm was preserved in the center of the yard. Sliding glass doors open up the interior living zone to the backyard life while clerestory windows bring in additional ambient light and tree canopy views. The wood ceiling adds warmth and connection to the exterior knotted cedar tongue & groove. The iron spot bricks with an earthy, reddish tone around the fireplace cast a new material interest both inside and outside. The gable roof is clad with standing seam to reinforced the clean-lined and faceted form. Furthermore, a dark gray shade of stucco contrasts and complements the warmth of the cedar with its coolness. A freestanding guest house both separates from and connects to the main house through a small, private patio with a tall steel planter bed. Photo by Charles Davis Smith

Smart home is a joyful renovation project in Seddon for a family teeming with curiosity. The design included adding an open plan living, dining and kitchen to an existing heritage home. It seeks to make smart, effective use of very tight spaces. A mezzanine over the pantry and study nook utilises the volume created by the cathedral ceiling, while large openable skylights increase the perception of light and space, and double as 'thermal chimneys' to assist natural ventilation processes in summer.

The palette of materials is intentionally reductive, limited to concrete, wood, and zinc. The use of concrete, wood, and dull metal is straightforward in its honest expression of material, as well as, practical in its durability. Phillip Spears Photographer

This is an example of a mid-sized contemporary open plan dining in Orange County with grey walls, grey floor, concrete floors and a ribbon fireplace.

Meero
Design ideas for a large scandinavian dining room in Paris with white walls, a wood stove, beige floor and concrete floors.