Design ideas for a contemporary exterior in Frankfurt.

The Betty at Inglenook’s Pocket Neighborhoods is an open two-bedroom Cottage-style Home that facilitates everyday living on a single level. High ceilings in the kitchen, family room and dining nook make this a bright and enjoyable space for your morning coffee, cooking a gourmet dinner, or entertaining guests. Whether it’s the Betty Sue or a Betty Lou, the Betty plans are tailored to maximize the way we live.

Contemporary exterior in Sunshine Coast.

Country glass house exterior in Sacramento.

Gray stained log home with black windows, doors, gutters and black light fixtures. Home is constructed of Milled D Logs with Butt n Pass corners.
This is an example of a mid-sized country one-storey grey house exterior in Columbus with wood siding and a metal roof.

Bead board ceilings inside the entry vestibule and at the covered porch complement the existing and new eaves.
This is an example of a large traditional three-storey blue house exterior in Seattle with concrete fiberboard siding, a gable roof and a mixed roof.

Country two-storey exterior in Seattle.

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

This photo really shows how the charcoal and gold paint colors highlight the shingle siding. This color is a great choice for emphasizing the natural charm and flexibility of wood as a surface. The natural surface of both the back steps and bench in the foreground stand in stark contrast. This greatly enhances the view of the charcoal and gold trim, while bringing them together.

Photo of a country two-storey grey house exterior in Denver with mixed siding, a gable roof and a metal roof.

Photo Credit: Paul Bardagjy
Photo of a large contemporary two-storey house exterior in Austin with wood siding and a metal roof.

Design: LandCurrent Contractor: Pistilslandscape Photo: Pistilslandscape
This is an example of a country exterior in Portland.

MillerRoodell Architects // Gordon Gregory Photography
Photo of a country one-storey brown exterior in Other with wood siding, a shingle roof and a gable roof.

グレーをベースにした外壁に黒いカラークリートの土間が 外観のスタイリッシュな印象を際立たせています。 シンボルツリーの株立ちアオダモが素敵なチョイスです。
Design ideas for a mid-sized modern two-storey grey house exterior in Other with a shed roof and a metal roof.

Photo of an arts and crafts two-storey grey house exterior in San Francisco with a hip roof and a shingle roof.

I redesigned the blue prints for the stone entryway to give it the drama and heft that's appropriate for a home of this caliber. I widened the metal doorway to open up the view to the interior, and added the stone arch around the perimeter. I also defined the porch with a stone border in a darker hue. Photo by Brian Gassel

This is an example of a large modern two-storey grey house exterior in Melbourne with metal siding, a flat roof and a metal roof.

This is an example of a modern exterior in Other.

Design ideas for a two-storey white house exterior in Nagoya with a flat roof.