Willet Photography
This is an example of a mid-sized transitional three-storey brick white house exterior in Atlanta with a gable roof, a mixed roof and a black roof.

Color punch for a modern mid century remodel in popular East Dallas.
This is an example of a mid-sized midcentury one-storey grey exterior in Dallas with concrete fiberboard siding.

Product: Corral Board Silver Patina Authentic Reclaimed Barn Wood Solution: Mixed texture Band Sawn and Circle Sawn Square Edge Corral Board, reclaimed barn wood with authentic fastener Holes and bands of moss.

Stephen Brooke
Design ideas for a traditional exterior in Jacksonville.

Inspiration for a contemporary two-storey white exterior in Hampshire with a gable roof.

Casey Dunn
Design ideas for a contemporary two-storey exterior in Austin with wood siding and a shed roof.

This project was a new construction home on acreage in the Rockwall area. The home is a mix of Tuscan, Hill Country and Rustic and has a very unique style. The builder personally designed this home and it has approximately 4,700 SF, with 1,200 of covered outdoor living space. The home has an open design with a very high quality finish out, yet warm and comfortable feel.

Ian Harding
Photo of a contemporary two-storey brick beige exterior in London.

One of the most important things for the homeowners was to maintain the look and feel of the home. The architect felt that the addition should be about continuity, riffing on the idea of symmetry rather than asymmetry. This approach shows off exceptional craftsmanship in the framing of the hip and gable roofs. And while most of the home was going to be touched or manipulated in some way, the front porch, walls and part of the roof remained the same. The homeowners continued with the craftsman style inside, but added their own east coast flare and stylish furnishings. The mix of materials, pops of color and retro touches bring youth to the spaces. Photography by Tre Dunham

Inspiration for a large country two-storey brown exterior in New York with wood siding and a gable roof.

Inspiration for a contemporary two-storey exterior in Gloucestershire with mixed siding and a gable roof.

Springhill Residence by Locati Architects, Interior Design by Locati Interiors, Photography by Roger Wade
Inspiration for a country two-storey exterior in Other with mixed siding.

Originally, the front of the house was on the left (eave) side, facing the primary street. Since the Garage was on the narrower, quieter side street, we decided that when we would renovate, we would reorient the front to the quieter side street, and enter through the front Porch. So initially we built the fencing and Pergola entering from the side street into the existing Front Porch. Then in 2003, we pulled off the roof, which enclosed just one large room and a bathroom, and added a full second story. Then we added the gable overhangs to create the effect of a cottage with dormers, so as not to overwhelm the scale of the site. The shingles are stained Cabots Semi-Solid Deck and Siding Oil Stain, 7406, color: Burnt Hickory, and the trim is painted with Benjamin Moore Aura Exterior Low Luster Narraganset Green HC-157, (which is actually a dark blue). Photo by Glen Grayson, AIA

Yankee Barn Homes - Bennington Carriage House
Large country two-storey red house exterior in Manchester with wood siding, a gable roof and a shingle roof.

The Cleveland Park neighborhood of Washington, D.C boasts some of the most beautiful and well maintained bungalows of the late 19th century. Residential streets are distinguished by the most significant craftsman icon, the front porch. Porter Street Bungalow was different. The stucco walls on the right and left side elevations were the first indication of an original bungalow form. Yet the swooping roof, so characteristic of the period, was terminated at the front by a first floor enclosure that had almost no penetrations and presented an unwelcoming face. Original timber beams buried within the enclosed mass provided the only fenestration where they nudged through. The house, known affectionately as ‘the bunker’, was in serious need of a significant renovation and restoration. A young couple purchased the house over 10 years ago as a first home. As their family grew and professional lives matured the inadequacies of the small rooms and out of date systems had to be addressed. The program called to significantly enlarge the house with a major new rear addition. The completed house had to fulfill all of the requirements of a modern house: a reconfigured larger living room, new shared kitchen and breakfast room and large family room on the first floor and three modified bedrooms and master suite on the second floor. Front photo by Hoachlander Davis Photography. All other photos by Prakash Patel.

Firmness . . . Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time. A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass. Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency. Commodity . . . Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”. A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century. Delight . . . Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer. This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own. Architect - Noel Cross Architect Landscape Architect - Christopher Yates Interior Designer - Gina Viscusi-Elson Lighting Designer - Vita Pehar Design Contractor - The Conrado Company

This is the modern, industrial side of the home. The floor-to-ceiling steel windows and spiral staircase bring a contemporary aesthetic to the house. The 19' Kolbe windows capture sweeping views of Mt. Rainier, the Space Needle and Puget Sound.

Hood House is a playful protector that respects the heritage character of Carlton North whilst celebrating purposeful change. It is a luxurious yet compact and hyper-functional home defined by an exploration of contrast: it is ornamental and restrained, subdued and lively, stately and casual, compartmental and open. For us, it is also a project with an unusual history. This dual-natured renovation evolved through the ownership of two separate clients. Originally intended to accommodate the needs of a young family of four, we shifted gears at the eleventh hour and adapted a thoroughly resolved design solution to the needs of only two. From a young, nuclear family to a blended adult one, our design solution was put to a test of flexibility. The result is a subtle renovation almost invisible from the street yet dramatic in its expressive qualities. An oblique view from the northwest reveals the playful zigzag of the new roof, the rippling metal hood. This is a form-making exercise that connects old to new as well as establishing spatial drama in what might otherwise have been utilitarian rooms upstairs. A simple palette of Australian hardwood timbers and white surfaces are complimented by tactile splashes of brass and rich moments of colour that reveal themselves from behind closed doors. Our internal joke is that Hood House is like Lazarus, risen from the ashes. We’re grateful that almost six years of hard work have culminated in this beautiful, protective and playful house, and so pleased that Glenda and Alistair get to call it home.

Proto Homes, LLC
This is an example of a large contemporary house exterior in Los Angeles with a flat roof.