Kitchen with Beaded Inset Cabinets and Concrete Benchtops Design Ideas
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Architecture Saville IsaacsInterior - Kitchen
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
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This is an example of a small arts and crafts galley open plan kitchen in Orange County with a double-bowl sink, beaded inset cabinets, concrete benchtops, beige splashback, stainless steel appliances, with island, medium hardwood floors, matchstick tile splashback and dark wood cabinets.
This is an example of a small arts and crafts galley open plan kitchen in Orange County with a double-bowl sink, beaded inset cabinets, concrete benchtops, beige splashback, stainless steel appliances, with island, medium hardwood floors, matchstick tile splashback and dark wood cabinets.
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Photo by Laura Moss
ArchiBiolaBVaste cuisine dans des teintes et matières naturelles avec une omniprésence de bois, de pierre et de zelliges marocaines vertes.
Inspiration for a large mediterranean l-shaped open plan kitchen in Nice with an undermount sink, beaded inset cabinets, medium wood cabinets, concrete benchtops, green splashback, ceramic splashback, panelled appliances, limestone floors, with island, beige floor and beige benchtop.
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Rock Kauffman Design2014 Fall Parade Cascade Springs I Chad Gould Architect I BDR Custom Homes I Rock Kauffman Design I M-Buck Studios
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Frédérique Misdariis - Home Staging ParisThis is an example of a contemporary l-shaped separate kitchen in Paris with a drop-in sink, beaded inset cabinets, medium wood cabinets, concrete benchtops, grey splashback, panelled appliances, concrete floors, no island, grey floor and grey benchtop.
Marion GouëlloShoootin
This is an example of a large contemporary l-shaped eat-in kitchen in Paris with an undermount sink, beaded inset cabinets, light wood cabinets, concrete benchtops, terra-cotta floors, no island, grey floor and grey benchtop.
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Photo of a large traditional l-shaped eat-in kitchen in New York with an undermount sink, beaded inset cabinets, white cabinets, concrete benchtops, grey splashback, stainless steel appliances, dark hardwood floors and with island.
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AZ Concept 31L'ancienne cuisine laquée rouge a laissé place à une cuisine design et épurée, aux lignes pures et aux matériaux naturels, tel que le béton ciré , le bois ou encore l'ardoise et la couleur tendance: le vert
L'idée première pour la rénovation de cette cuisine était d'enlever la couleur laquée rouge de l'ancienne cuisine, les caissons étant en bon état, juste les portes ont été changées.
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban GrenadeCuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
Les portes : le choix de la couleur s'est fait naturellement ayant eu un coup de cœur pour le coloris vert BODARP IKEA , la texture velours à fini de me décider pour ce modèle!
Les poignées très design ont été commandées séparément car je souhaitais une ligne pure pour souligner le plan de travail et la couleur des portes
Les placards supplémentaire ont été créés afin de monter jusqu'au plafond et ainsi optimiser l'espace; ajout également de placards dans le retour Bar
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban GrenadeCuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
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Le retour Bar a été complétement créé, en effet l'ilot central en haricot, un peu démodé, a été supprimé, pour laisser place à un grand plan Bar en chêne massif traité à la résiné époxy pou un maximum de facilité d'entretien. Des placards supplémentaires ont ainsi pu être créés et un grand plan de travail également
Les luminaires ont été ajoutés au dessus du bar afin de souligner cet espace
La crédence en ardoise a été posée sur tout le tour du plan de travail qui lui a été travaillé en béton ciré noir
L'association des ces deux matières naturelles matchent bien, leur couleur étant irrégulières et profondes
Le mur noir côté fenêtre apporte du caractère à la pièce et souligne la crédence et le bois , Les stores vénitiens en bois viennent donner le rappel du bois massif de l'alcôve et du bar
Cuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban GrenadeCuisine IKEA verte et noire, plan de travail béton ciré, crédence ardoise - Jeanne Pezeril Décoratrice UFDI Montauban Grenade
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L'alcôve déjà présente dans l'ancienne cuisine a été conservé et agrandi afin d'y insérer de la déco et créer un bac végétal pour des plantes aromatiques par exemple. De l'éclairage a été mis en place afin de mettre en valeur la décoration de l'alcôve mais aussi un luminaire spécifique aux plantes afin de leur permettent de pousser dans de bonnes conditions.
Les tabourets quand à eux, ont été dessinés par moi même et créé par un artisan métallier sur mesure
Projet Wabi-sabiUne belle et grande maison de l’Île Saint Denis, en bord de Seine. Ce qui aura constitué l’un de mes plus gros défis ! Madame aime le pop, le rose, le batik, les 50’s-60’s-70’s, elle est tendre, romantique et tient à quelques références qui ont construit ses souvenirs de maman et d’amoureuse. Monsieur lui, aime le minimalisme, le minéral, l’art déco et les couleurs froides (et le rose aussi quand même!). Tous deux aiment les chats, les plantes, le rock, rire et voyager. Ils sont drôles, accueillants, généreux, (très) patients mais (super) perfectionnistes et parfois difficiles à mettre d’accord ?
Et voilà le résultat : un mix and match de folie, loin de mes codes habituels et du Wabi-sabi pur et dur, mais dans lequel on retrouve l’essence absolue de cette démarche esthétique japonaise : donner leur chance aux objets du passé, respecter les vibrations, les émotions et l’intime conviction, ne pas chercher à copier ou à être « tendance » mais au contraire, ne jamais oublier que nous sommes des êtres uniques qui avons le droit de vivre dans un lieu unique. Que ce lieu est rare et inédit parce que nous l’avons façonné pièce par pièce, objet par objet, motif par motif, accord après accord, à notre image et selon notre cœur. Cette maison de bord de Seine peuplée de trouvailles vintage et d’icônes du design respire la bonne humeur et la complémentarité de ce couple de clients merveilleux qui resteront des amis. Des clients capables de franchir l’Atlantique pour aller chercher des miroirs que je leur ai proposés mais qui, le temps de passer de la conception à la réalisation, sont sold out en France. Des clients capables de passer la journée avec nous sur le chantier, mètre et niveau à la main, pour nous aider à traquer la perfection dans les finitions. Des clients avec qui refaire le monde, dans la quiétude du jardin, un verre à la main, est un pur moment de bonheur. Merci pour votre confiance, votre ténacité et votre ouverture d’esprit. ????
Dan Ruhland Designs LLCFlower cutting / Potting sink
Design ideas for a mid-sized country galley separate kitchen in New York with a farmhouse sink, beaded inset cabinets, blue cabinets, concrete benchtops and cement tiles.
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Mars AvrilLa cuisine dispose d'étagères pour alléger l'espace et mettre en valeur les jolis objets du quotidien
Inspiration for a mid-sized contemporary single-wall open plan kitchen in Marseille with an undermount sink, beaded inset cabinets, white cabinets, concrete benchtops, white splashback, marble splashback, panelled appliances, concrete floors, with island, grey floor and grey benchtop.
Inspiration for a mid-sized contemporary single-wall open plan kitchen in Marseille with an undermount sink, beaded inset cabinets, white cabinets, concrete benchtops, white splashback, marble splashback, panelled appliances, concrete floors, with island, grey floor and grey benchtop.
LPASSE DESIGNCréation d'une cuisine ouverte dans une maison à la campagne , bois ancien blanchi , bois brut , béton résine pour les plans de travail et sol. Îlot central et linéaire vitrine , linéaire cuisson et îlot 3 faces pour la composition.
Piano de cuisson Lacanche moderne vert sauge
Star Renovations NYU shape, ideal for someone who enjoys spending time in the kitchen
This is an example of a large contemporary u-shaped eat-in kitchen in New York with an undermount sink, beaded inset cabinets, grey cabinets, concrete benchtops, multi-coloured splashback, marble splashback, stainless steel appliances, light hardwood floors, a peninsula and grey benchtop.
This is an example of a large contemporary u-shaped eat-in kitchen in New York with an undermount sink, beaded inset cabinets, grey cabinets, concrete benchtops, multi-coloured splashback, marble splashback, stainless steel appliances, light hardwood floors, a peninsula and grey benchtop.
Kitchen with Beaded Inset Cabinets and Concrete Benchtops Design Ideas
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