Search results for "Exterior wall cladding" in Home Design Ideas
Neolithic Design Stone and Tile
Our Reclaimed Tuscan Wall Cladding, which have been hand salvaged from ancient cities across the Mediterranean Sea, are antique limestone wall veneers. In its original form, they are up to 15" thick. Call (949) 241-5458 for more information or visit our website at NeolithicDesign.com
David Edrington, Architect
The exterior walls are western red Cedar shingles above a stucco wainscot, with aluminum clad wood windows and a composition roof.
Inspiration for a traditional two-storey exterior in Other with wood siding.
Inspiration for a traditional two-storey exterior in Other with wood siding.
Ancient Surfaces
Wall Cladding Stone by 'Ancient Surfaces'
Product: Antique 'Mesa' Wall Cladding Stone
Contacts: (212) 461-0245
Email: Sales@ancientsurfaces.com
Website: www.AncientSurfaces.com
The Antique Reclaimed 'Mesa' Limestone Wall Cladding selection is unique in its blend and authenticity, rare in it's hardness and beauty.
Draping your inside and outside walls with the 'Mesa' Stone, gives you a feel of timelessness allowing you to travel back in time into the untouched North Mediterranean domains of fallen Empires and ancient bustling coastal trading villages, where a mercantile class have built some of the most luxurious estates out of the breath taking local stone blocks all along the shoreline of Southern Europe.
This exclusive 'Ancient Surfaces' stone wall cladding blend might just be the missing link needed to transform your home from a logging space to your dream space...
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OBERHAUSER INTERIORS
Design ideas for a country bathroom in San Francisco with a curbless shower and a freestanding tub.
KUBE architecture
Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.
FINNE Architects
The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal.
The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces.
The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles.
The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.
Drewett Works
Above and Beyond is the third residence in a four-home collection in Paradise Valley, Arizona. Originally the site of the abandoned Kachina Elementary School, the infill community, appropriately named Kachina Estates, embraces the remarkable views of Camelback Mountain.
Nestled into an acre sized pie shaped cul-de-sac lot, the lot geometry and front facing view orientation created a remarkable privacy challenge and influenced the forward facing facade and massing. An iconic, stone-clad massing wall element rests within an oversized south-facing fenestration, creating separation and privacy while affording views “above and beyond.”
Above and Beyond has Mid-Century DNA married with a larger sense of mass and scale. The pool pavilion bridges from the main residence to a guest casita which visually completes the need for protection and privacy from street and solar exposure.
The pie-shaped lot which tapered to the south created a challenge to harvest south light. This was one of the largest spatial organization influencers for the design. The design undulates to embrace south sun and organically creates remarkable outdoor living spaces.
This modernist home has a palate of granite and limestone wall cladding, plaster, and a painted metal fascia. The wall cladding seamlessly enters and exits the architecture affording interior and exterior continuity.
Kachina Estates was named an Award of Merit winner at the 2019 Gold Nugget Awards in the category of Best Residential Detached Collection of the Year. The annual awards ceremony was held at the Pacific Coast Builders Conference in San Francisco, CA in May 2019.
Project Details: Above and Beyond
Architecture: Drewett Works
Developer/Builder: Bedbrock Developers
Interior Design: Est Est
Land Planner/Civil Engineer: CVL Consultants
Photography: Dino Tonn and Steven Thompson
Awards:
Gold Nugget Award of Merit - Kachina Estates - Residential Detached Collection of the Year
KUBE architecture
Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.
Mark Brand Architecture
For this remodel in Portola Valley, California we were hired to rejuvenate a circa 1980 modernist house clad in deteriorating vertical wood siding. The house included a greenhouse style sunroom which got so unbearably hot as to be unusable. We opened up the floor plan and completely demolished the sunroom, replacing it with a new dining room open to the remodeled living room and kitchen. We added a new office and deck above the new dining room and replaced all of the exterior windows, mostly with oversized sliding aluminum doors by Fleetwood to open the house up to the wooded hillside setting. Stainless steel railings protect the inhabitants where the sliding doors open more than 50 feet above the ground below. We replaced the wood siding with stucco in varying tones of gray, white and black, creating new exterior lines, massing and proportions. We also created a new master suite upstairs and remodeled the existing powder room.
Architecture by Mark Brand Architecture. Interior Design by Mark Brand Architecture in collaboration with Applegate Tran Interiors. Lighting design by Luminae Souter. Photos by Christopher Stark Photography.
Mohler + Ghillino Architects
The Wall House was the Seattle Homes Magazine 2009 'Home of the Year'. It features full-width slide/fold doors and a continuous cedar-clad wall to provide a seamless connection between interior and exterior spaces.
photo: Ben Benschneider
Luther Paul Weber AIA, Architect
A new Tudor bay added to the front of an existing red brick home using new stone to integrate the base with the existing stone base. Fir windows and cedar trim are stained complementary colors. The darker window color draws out the dark "clinker" bricks. The roof is Certainteed Grand Manor asphalt shingles designed to appear as slate. The gutters and downspouts are copper.
The paint of the stucco is Benjamin Moore Exterior low luster in color: “Briarwood”.
Hoachlander Davis Photography
david phillips
new construction / builder - cmd corp.
Inspiration for a large traditional two-storey beige house exterior in Boston with stone veneer and a shingle roof.
Inspiration for a large traditional two-storey beige house exterior in Boston with stone veneer and a shingle roof.
FINNE Architects
The Eagle Harbor Cabin is located on a wooded waterfront property on Lake Superior, at the northerly edge of Michigan’s Upper Peninsula, about 300 miles northeast of Minneapolis.
The wooded 3-acre site features the rocky shoreline of Lake Superior, a lake that sometimes behaves like the ocean. The 2,000 SF cabin cantilevers out toward the water, with a 40-ft. long glass wall facing the spectacular beauty of the lake. The cabin is composed of two simple volumes: a large open living/dining/kitchen space with an open timber ceiling structure and a 2-story “bedroom tower,” with the kids’ bedroom on the ground floor and the parents’ bedroom stacked above.
The interior spaces are wood paneled, with exposed framing in the ceiling. The cabinets use PLYBOO, a FSC-certified bamboo product, with mahogany end panels. The use of mahogany is repeated in the custom mahogany/steel curvilinear dining table and in the custom mahogany coffee table. The cabin has a simple, elemental quality that is enhanced by custom touches such as the curvilinear maple entry screen and the custom furniture pieces. The cabin utilizes native Michigan hardwoods such as maple and birch. The exterior of the cabin is clad in corrugated metal siding, offset by the tall fireplace mass of Montana ledgestone at the east end.
The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and snow protection; and metal siding for maximum durability. Sustainable interior finish materials include bamboo/plywood cabinets, linoleum floors, locally-grown maple flooring and birch paneling, and low-VOC paints.
Krieger + Associates Architects, Inc.
This photo shows the single-story family room addition to an unusual 1930's stone house, with floor-to-ceiling windows and glass doors, and new flagstone patio. Photo: Jeffrey Totaro
CLB Architects
The Peaks View residence is sited near Wilson, Wyoming, in a grassy meadow, adjacent to the Teton mountain range. The design solution for the project had to satisfy two conflicting goals: the finished project must fit seamlessly into a neighborhood with distinctly conservative design guidelines while satisfying the owners desire to create a unique home with roots in the modern idiom.
Within these constraints, the architect created an assemblage of building volumes to break down the scale of the 6,500 square foot program. A pair of two-story gabled structures present a traditional face to the neighborhood, while the single-story living pavilion, with its expansive shed roof, tilts up to recognize views and capture daylight for the primary living spaces. This trio of buildings wrap around a south-facing courtyard, a warm refuge for outdoor living during the short summer season in Wyoming. Broad overhangs, articulated in wood, taper to thin steel “brim” that protects the buildings from harsh western weather. The roof of the living pavilion extends to create a covered outdoor extension for the main living space. The cast-in-place concrete chimney and site walls anchor the composition of forms to the flat site. The exterior is clad primarily in cedar siding; two types were used to create pattern, texture and depth in the elevations.
While the building forms and exterior materials conform to the design guidelines and fit within the context of the neighborhood, the interiors depart to explore a well-lit, refined and warm character. Wood, plaster and a reductive approach to detailing and materials complete the interior expression. Display for a Kimono was deliberately incorporated into the entry sequence. Its influence on the interior can be seen in the delicate stair screen and the language for the millwork which is conceived as simple wood containers within spaces. Ample glazing provides excellent daylight and a connection to the site.
Photos: Matthew Millman
Resolution: 4 Architecture
This urban infill prefab is located at the foot of the Throgs Neck Bridge on Eastchester Bay in the Bronx. The Bronx Box is a modified version of the double-decker, 2-story bar typology with an additional storage ‘saddle bag’, containing built in cabinets along the length of the house.
Given the narrow lot, the design aims to celebrate the constraints of its zoning envelope; the site’s set backs, height limitations, and flood plain requirements yield a compact footprint while still featuring off-street parking, a small patch of green, and an expansive roof deck with stunning views of the bay beyond.
The first floor is compact and contains a wall of storage running the length of the floor. An open living, dining and kitchen area is organized in a linear manner and opens out onto an elevated deck. Exterior stairs are the full width of the house and lead down to the pier that juts out into the bay. The second floor mimics the linear organization of the first and a wall of storage as well, but two bedrooms and two bathrooms occupy the rest of the space. The master bedroom features its own fireplace and balcony while a structural glass skylight allows for natural light into the internal bathroom. A metal clad roof bulkhead was carefully sculpted within the zoning restrictions and provides access to an expansive roof deck providing 360º views of the bay and surrounding neighborhood.
The house is clad in cement board with cedar accents and Ipe wood decks to keep maintenance issues at a minimum. Given that the home’s modern aesthetic builds from the existing colors, textures, and diverse qualities within the surrounding urban fabric, it has been accepted as another unique personality within the neighborhood.
Architects: Joseph Tanney, Robert Luntz
Project Architect: John Kim
Manufacturer: Simplex Industries
Project Coordinator: Jason Drouse
Engineer: Lynne Walshaw P.E., Greg Sloditskie
Contractor: Northbrook Contracting Corp.
Photographer: © RES4, © Laurie Lambrecht
thirdstone inc. [^]
Project :: SD House
Design by :: www.thirdstone.ca
Photography: merle prosofsky
This is an example of a modern exterior in Edmonton with wood siding.
This is an example of a modern exterior in Edmonton with wood siding.
Marvin
Architect: Blaine Bonadies, Bonadies Architect
Photography By: Jean Allsopp Photography
“Just as described, there is an edgy, irreverent vibe here, but the result has an appropriate stature and seriousness. Love the overscale windows. And the outdoor spaces are so great.”
Situated atop an old Civil War battle site, this new residence was conceived for a couple with southern values and a rock-and-roll attitude. The project consists of a house, a pool with a pool house and a renovated music studio. A marriage of modern and traditional design, this project used a combination of California redwood siding, stone and a slate roof with flat-seam lead overhangs. Intimate and well planned, there is no space wasted in this home. The execution of the detail work, such as handmade railings, metal awnings and custom windows jambs, made this project mesmerizing.
Cues from the client and how they use their space helped inspire and develop the initial floor plan, making it live at a human scale but with dramatic elements. Their varying taste then inspired the theme of traditional with an edge. The lines and rhythm of the house were simplified, and then complemented with some key details that made the house a juxtaposition of styles.
The wood Ultimate Casement windows were all standard sizes. However, there was a desire to make the windows have a “deep pocket” look to create a break in the facade and add a dramatic shadow line. Marvin was able to customize the jambs by extruding them to the exterior. They added a very thin exterior profile, which negated the need for exterior casing. The same detail was in the stone veneers and walls, as well as the horizontal siding walls, with no need for any modification. This resulted in a very sleek look.
MARVIN PRODUCTS USED:
Marvin Ultimate Casement Window
KUBE architecture
Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.
Exterior Wall Cladding - Photos & Ideas | Houzz
Wyant Architecture
The form of the addition is evocative of a traditional Pennsylvania bank barn structure. A second floor deck, carved out of the copper 'forebay’, is covered with a glass skylight that empties via chain downspouts to river rock drainage beds below.
Photography: Jeffrey Totaro
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