This house began as a typical, low-lying split-level. You can still see the garage, main level, and upper/lower split on the right. We designed a new story above, with turned-gable roof lines to complement the main roof. The entire house was remodeled, plus we designed a screened porch and patio / fire pit for the rear yard. Photo: Robert Braddock

Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.

Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.

Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.

Screened Porches Screened porches make up the rear of the house, but one can see the covered side porch at left (with Master Bath shower above) and the new back deck at the right. The back yard is decidedly low maintenance, with its artificial turf grass and gravel areas at the perimeter (where the dogs patrol). fiber cement siding painted Cleveland Green (7" siding), Sweet Vibrations (4" siding), and Texas Leather (11" siding)—all by Benjamin Moore • window trim and clerestory band painted Night Horizon by Benjamin Moore • soffit & fascia painted Camouflage by Benjamin Moore. Construction by CG&S Design-Build. Photography by Tre Dunham, Fine focus Photography

Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.

Scott Braman Photography
Inspiration for an arts and crafts two-storey exterior in DC Metro with wood siding.

photo credit: Jim Tetro
This is an example of a contemporary hallway in DC Metro with concrete floors.

Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

This single family home sits on a tight, sloped site. Within a modest budget, the goal was to provide direct access to grade at both the front and back of the house. The solution is a multi-split-level home with unconventional relationships between floor levels. Between the entrance level and the lower level of the family room, the kitchen and dining room are located on an interstitial level. Within the stair space “floats” a small bathroom. The generous stair is celebrated with a back-painted red glass wall which treats users to changing refractive ambient light throughout the house. Black brick, grey-tinted glass and mirrors contribute to the reasonably compact massing of the home. A cantilevered upper volume shades south facing windows and the home’s limited material palette meant a more efficient construction process. Cautious landscaping retains water run-off on the sloping site and home offices reduce the client’s use of their vehicle. The house achieves its vision within a modest footprint and with a design restraint that will ensure it becomes a long-lasting asset in the community. Photo by Tom Arban

Builder - George Paras
Design ideas for an arts and crafts split-level exterior in Seattle with mixed siding.

This luxury three-storey split level house features a unique cubist-style linear roof, including extended and angled eaves for architectural impact. The design includes spacious bedrooms, each with its own ensuite, as well as an enormous movie room and balconies at the front and rear of the home. The gourmet kitchen overlooks the large living area and leads directly onto a fully-appointed outdoor kitchen and alfresco dining space. Outside, the home’s contemporary façade is beautifully complemented by the gorgeous lap pool and water feature, which can be viewed from many rooms through the full-height frameless glass sliding doors located at the rear of the ground floor.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Custom copper clad sliding entry door opens from the side of the house to a split level entry. The hand marks on the door remain to retain character as the copper ages.

Front Yard The original 1950s split level was expanded and completely reworked. A front porch was added, siding and stone are new, as are all the windows. The substantial addition at the rear of the home is barely visible here--the only hint being that the main ridge is a little higher from this point of view. Landscaping is new. The front yard tree was protected and preserved through the construction period. At twilight the house comes aglow with warmth. The remodel welcomes a covered front porch that was absent in the original. To the right of the front door is a tiny window allowing peek-a-boo views of guest arrivals from inside the daughter's closet. Planters surrounding the home are made from raw sheet steel. Garage doors are clad in metal. The south roof slope of the home hosts a large solar array, barely visible here. fiber cement siding painted Cleveland Green (7" siding), Sweet Vibrations (4" siding), and Texas Leather (11" siding)—all by Benjamin Moore • window trim and clerestory band painted Night Horizon by Benjamin Moore • soffit & fascia painted Camouflage by Benjamin Moore. Construction by CG&S Design-Build. Photography by Tre Dunham, Fine focus Photography

This single family home sits on a tight, sloped site. Within a modest budget, the goal was to provide direct access to grade at both the front and back of the house. The solution is a multi-split-level home with unconventional relationships between floor levels. Between the entrance level and the lower level of the family room, the kitchen and dining room are located on an interstitial level. Within the stair space “floats” a small bathroom. The generous stair is celebrated with a back-painted red glass wall which treats users to changing refractive ambient light throughout the house. Black brick, grey-tinted glass and mirrors contribute to the reasonably compact massing of the home. A cantilevered upper volume shades south facing windows and the home’s limited material palette meant a more efficient construction process. Cautious landscaping retains water run-off on the sloping site and home offices reduce the client’s use of their vehicle. The house achieves its vision within a modest footprint and with a design restraint that will ensure it becomes a long-lasting asset in the community. Photo by Tom Arban

photo credit: Jim Tetro
Design ideas for a transitional two-storey exterior in DC Metro.