Hi there, having recently been through a similar decision process for our Reno I can really recommend ordering the Dulux A4 samples. They are made with the real paint on them so you can move them around from room to room to see exactly what it will look like without having a heap of swatches painted on the wall. They have a sticker backing but I used blu-tac so 8 could move them over and over. Good luck

A great concept, I've often considered doing so myself. Whats great about your bodo boards, and the schemes put together on this poll, is that they are quite adaptive with a neutral foundation. They can be easilyapplied to everyone. I love an emphasis on tone and texture, and in place of colour, visual interest is really added by accents, architecture and artwork. The australian bush scheme is very textural, although I think the palette could explore some of the more chromatic tones in our bush, some organic notes of green and taupes, but perhaps with vibrant yellows or deep indigos for example introduced. as for the romantic industrial, lovely, but it is only so because of the rose pink. A feminine take on industrial would to me be softened with humanised accents. Please explain, industry is mechanical, and romance or femininity is softness, so perhaps signage featuring lettering, or bespoke handicrafts which show the connection between industry, and loved spaces created out of collecting. Almost a way of feathering our nest. waterfont is cool, calm and yes collected. Literally. I love coastal schemes, but they can become a little predictable when they are literal interpretations of sea and sand. Coastal can easily be adapted to a relaxed style and I feel many colours can be applied to demonstrate this costal palette. . The key is in muting the scheme and enhancing the textures from nature. Tha grand! Oh the grand. I love it. Who doesn't really. Its very now, but the drama and edge is lost in applying same old collaborations. The geometric tile, chevron, hexagonal or penny rounds are gorgeous, and befitting the current style, but more so appropriate in specific architectural styles, not everyone an have a warehouse or loft, or grand 1920s residence, although we all try to use these same materials and formats. Precious metals and stones are the height of popularity and luxury, brass, marble and glass, are all in favour, actually have never been out of it. What I want is to see the used in a contemporary fashion. It is my pick, because it actually does respond to my own homes architecture, so I'm always on a hunt and gather of images and ideas to develop this gorgeous and luxe style. Whats next? Usually in an effort to be new and different, we move away from what's in front of us, but ever so gradually. I think the appreciation for industry, form and function, man made objects, formats, collaborations will be in favour for some time, so to in an effort to be different, organic will evolve. Colour notes, timbers, sustainability and natural form will emerge. Not to say literall greens or Browns, but more so, soft geometry, tactile materials and surfaces, perhaps a focus on light and shade over shimmer and style. bespoke practices, so things if stone and wood, and one off designs, as in using products that can't be replicated in process, like bricks, every ones different, veneers, grained materials, and unpretentious designs. Hand scribed lines, patterns or prints, I think will favour. Thestyle of now is definitely one we aspire to, as in luxe and indulgent, the monochromatic scheme which is actually ACHROMATIC people is overdone, but will never be out of favour. It is classic. When done right, it is the epitome of style, only the definition of that is what changes! love what you do....I can't articulate the value of conceptualising your style in finishes and fittings, design is often felt not learnt, and we respond to our environments, so it makes sense that seeing your style emerge from a collective consciousness in the form of a board, will literally transform your ideas in reality. As a designer myself, I'm constantly creating them. My own home is a work in progress, which I've created many concepts for. I'm very interested in seeing your perspective on it though, and I'd be very grateful for a bodo board from your design perspective. ml

you are super-patient!!! :) :) thank you :) I'm so sorry but I do actually have a couple MORE thoughts!! argh! there are just so many different options.... and this is a bit of an all consuming puzzle to try to solve. here they are: 1) study could become main bathroom - leaving new Bed 4 as per plan since it is bigger & a better size for guests. in this option, some area could be stolen from the study to boost ensuite size - even if it just made the ensuite 1 full metre. Ideally not requiring study window to change. 2) WC could potentially be separate either within this space OR at the back of the old kitchen (allowing for the remaining, longish hall wall to be shorter again) oklouise you may think some of these ideas are not very workable & I'd be so glad for your feedback & comment (and anyone else's comments as well), it's really so incredibly helpful - unbelievably helpful - to have everyone's input. i'd love recommendations on which ideas & options might work best for that balance between function & budget

<div><a href='https://www.houzz.com/photos/home-design-ideas-phbr0-bp~/apartment-phvw-vp~129652480' target='_blank'><img src='https://st.hzcdn.com/simages/129652480_08-0000-.jpg' alt='' border=0 width='0' height='0' nopin='nopin' ondragstart='return false;' onselectstart='return false;' oncontextmenu='return false;'/></a></div><div style='color:#444;'><small>By <a style="text-decoration:none;color:#444;" href="https://www.houzz.com/user/laurenreneeb" target="_blank">Lozza </a> - See more <a style="text-decoration:none;color:#444;" href="https://www.houzz.com/photos/home-design-ideas-phbr0-bp~" target="_blank">Home Design Photos</a></small></div>