Staircase Design Ideas

Photo of a midcentury staircase in Melbourne.

Design ideas for a contemporary wood u-shaped staircase in Melbourne with open risers.
White block wall against timber stairs - tracezan

Ryan Linnegar photography
Scandinavian wood staircase in Sydney with wood risers and wood railing.
gentle turn, love the natuRAL LIGHT - jimbyjam

Tatjana Plitt
Photo of a mid-sized contemporary wood l-shaped staircase in Melbourne with wood risers and wood railing.
Like the batons as a decorative banister - jlkj

Pilcher Residential
This is an example of a victorian wood straight staircase in Sydney with wood railing and wood risers.
I do not like it because it is to I do not like it because I FC yeah baby do you miss you I love you so much hurts too much I am banana from us it is yourself from Austin for 1 millionfancy because it has a lot of flowers. - webuser_517476532

This is an example of a beach style concrete staircase in Brisbane with concrete risers.
love the contrast of cement and timber stairs - renee_dichiera

Brock Beazley Photography
Design ideas for a contemporary wood straight staircase in Brisbane with open risers and glass railing.
This does look really quite good however with the dark floorboards I'm worried that staircase will appear too dark - johnstonesmith

#BestOfHouzz
Design ideas for a contemporary wood l-shaped staircase in Melbourne with open risers and mixed railing.
to access basement level at LAngside - robaldo

Contemporary wood straight staircase in Brisbane with wood risers and glass railing.
Like how the handrail is artistic. Hate the actual stairs. They look so slippery and hard. - kirsty_sullivan50

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/
Like the windows for light, we could use translucent - chris8724

Stairs to attic Photography by: Douglas Frost
This is an example of a contemporary wood u-shaped staircase in Sydney with open risers.
timber stairs and window at mid-way - webuser_229982970

Contemporary wood straight staircase in Melbourne with wood risers.
Using half the depth under the stairs - ach3007

Design ideas for a contemporary marble straight staircase in Sydney with open risers and glass railing.

Eric Cohen Architect Shaun Murray Photographer
Contemporary wood u-shaped staircase in Brisbane with wood risers and glass railing.
Short secion with glass banister - imtiaz_bhayat

Builder: Eco Sure Building - Photographer: Nikole Ramsay - Stylist: Emma O'Meara
Photo of a mid-sized contemporary wood u-shaped staircase in Other with metal railing.
i like the colour of stairs and the glass on the side - alicia_french21

Julian Gries Photography
Inspiration for a large contemporary wood l-shaped staircase in Melbourne with wood risers.
Same re staircase to girls room - webuser_424767914

Tad Ferguson
Photo of a mid-sized contemporary wood staircase in Sydney with open risers.
shelving and staircase - helliebelle

mayphotography
Inspiration for a contemporary wood straight staircase in Melbourne with open risers and wood railing.
timber stairs, grey floor and grey walls - harmernikki