British Houzz: A Country Home Built to Take in the View
Environmentally friendly features and a link with the land were the top priorities for this house built on a former farm
When the owner of this airy, one-storey new build in the UK county of Suffolk first approached Charles Barclay Architects about building her a house on the site of an old barn, she was clear she didn’t want one that was “just a house in a garden in a field”. She wanted her home to be much more directly connected to the land around it. And with the natural pond, beautiful trees and an abundance of wildlife just outside, it’s easy to see why.
“We tried to create a sense of being in this very specific site, and the feeling of being completely immersed in it,” says Charles Barclay, lead designer on the project. “When you’re inside the house, you’re almost camping on the land itself, rather than being tucked away in a dark cottage.”
The bungalow isn’t only designed to make the most of the spectacular environment, it also respects it, and has several clever structural and design features – including hidden solar panels and a 4-metre-long sliding timber screen to reduce heat loss – that keep its energy consumption low.
“We tried to create a sense of being in this very specific site, and the feeling of being completely immersed in it,” says Charles Barclay, lead designer on the project. “When you’re inside the house, you’re almost camping on the land itself, rather than being tucked away in a dark cottage.”
The bungalow isn’t only designed to make the most of the spectacular environment, it also respects it, and has several clever structural and design features – including hidden solar panels and a 4-metre-long sliding timber screen to reduce heat loss – that keep its energy consumption low.
The floor is polished and ground concrete. “After the concrete is polished, the top layer is ground off so you can see the aggregate, which is highlighted by the downlights,” explains Barclay. “We’ve used it the whole way through the house and it runs out on to the terrace as well. It references the shingle beaches a mile or two away.” There are also uplights where the ceiling is at its highest.
Walls painted in ‘White’: Dulux; W40 galvanised steel windows: West Leigh; sliding door: Fineline Aluminium
Walls painted in ‘White’: Dulux; W40 galvanised steel windows: West Leigh; sliding door: Fineline Aluminium
There are two wood-burning stoves in the house. The owner brought this one from her previous house. “It’s French and was designed to be built into a false chimney breast,” Barclay says. “It produces a lot of heat, so it can deal with a bigger space.
“The owner likes the industrial look, so rather than having it concealed, she wanted it all on view, but she didn’t want kilns or other paraphernalia. The idea was to enjoy the house in the setting it’s in, and not focus on its furniture or fixtures.”
The fireplace sits on a concrete plinth, which acts as a heat sink: the concrete absorbs the heat when the fireplace is on, and keeps the warmth going after the stove has gone out.
Fireplace: Brisach; all furniture is the homeowner’s own
“The owner likes the industrial look, so rather than having it concealed, she wanted it all on view, but she didn’t want kilns or other paraphernalia. The idea was to enjoy the house in the setting it’s in, and not focus on its furniture or fixtures.”
The fireplace sits on a concrete plinth, which acts as a heat sink: the concrete absorbs the heat when the fireplace is on, and keeps the warmth going after the stove has gone out.
Fireplace: Brisach; all furniture is the homeowner’s own
The living room has a covered terrace to provide somewhere sheltered to sit while looking across the fields outside. “There’s fantastic wildlife on this site,” says Barclay. “As well as the bats, there are ducks, geese and other birds. There’s also a barn owl you can sit and watch as he or she is hunting on the field. To the west of the house is some RSPB (Royal Society for the Protection of Birds) land with herds of deer on it.”
The house is made up of two L-shaped wings sectioned by four pocket doors. “The idea was to make the house comfortable for two without it feeling cavernous,” Barclay says. “The doors are made of etched glass to allow light to flow through the spaces. The one to the left leads to the guest wing. “When there’s a larger gathering of people, the doors provide some separation between the main part of the house and the guest wing.”
The dining area has a dual outlook: one towards the pond (seen above, right) and the other across the terrace to the far corner of the field (above, left).
The dining area has a dual outlook: one towards the pond (seen above, right) and the other across the terrace to the far corner of the field (above, left).
The MDF kitchen units were spray-lacquered by Paintworks, and the work surface is Corian. There’s also a pantry (out of shot).
Kitchen units: Howdens; Grohe Starlight tapware: Siemens; appliances: Hyde Park Bathrooms & Kitchens
Kitchen units: Howdens; Grohe Starlight tapware: Siemens; appliances: Hyde Park Bathrooms & Kitchens
“The owner wanted the kitchen, dining and main sitting areas to be open to one another, so that whoever’s cooking doesn’t feel shut away from the action,” Barclay says. “The kitchen is big enough for more than one person, so there can be several members of the family preparing a meal at once.”
Instead of traditional curtains, there are built-in drop-down roller blinds throughout house. On the inside of this glazed section, there’s a sliding timber screen that closes off the doors.
“When there’s a cold east wind, the site is exposed with very little protection,” the architect explains. “The screen increases insulation and reduces heat loss, especially at night. It makes the place feel more cosy.”
“When there’s a cold east wind, the site is exposed with very little protection,” the architect explains. “The screen increases insulation and reduces heat loss, especially at night. It makes the place feel more cosy.”
On the deck on the other side of the dining area there’s a slide-out awning for shelter in summer.
The external walls are black-stained soft pine. “They are super-insulated panels (SIPs), which we used for insulation and structure,” says Barclay. “They are a sandwich of rigid insulation between wood particle board on either side, so there are hardly any cold bridges. Essentially, the building is a well-insulated, airtight envelope.”
The external walls are black-stained soft pine. “They are super-insulated panels (SIPs), which we used for insulation and structure,” says Barclay. “They are a sandwich of rigid insulation between wood particle board on either side, so there are hardly any cold bridges. Essentially, the building is a well-insulated, airtight envelope.”
The house sits on a red brick base, which is a reference to traditional Suffolk barns. There’s a total of 10 external doors. “Some are basically windows you can walk out of,” says Barclay.
“The steel-framed windows are modern versions of the Crittall windows of the 1930s,” he adds. “We did this deliberately, because the owner used to stay at a holiday house where there were Crittall windows. She loved them and wanted them in her own house. We used a W40 glaze, so together with the insulation in the walls, there’s no problem with condensation.”
The slim frames mean there’s minimal interruption to the view.
“The steel-framed windows are modern versions of the Crittall windows of the 1930s,” he adds. “We did this deliberately, because the owner used to stay at a holiday house where there were Crittall windows. She loved them and wanted them in her own house. We used a W40 glaze, so together with the insulation in the walls, there’s no problem with condensation.”
The slim frames mean there’s minimal interruption to the view.
This is the corridor to the guest wing. Two double bedrooms with ensuite bathrooms and a children’s bunk room with a shower room come off it. At the end of the corridor is a second sitting room, which doubles as a music room.
The roof overhangs provide shade in summer so the rooms don’t overheat; they also allow low sunlight in during the winter to warm the house. “It’s all part of the eco strategy,” says Barclay.
The roof overhangs provide shade in summer so the rooms don’t overheat; they also allow low sunlight in during the winter to warm the house. “It’s all part of the eco strategy,” says Barclay.
The homeowner has a strong connection with the classical music world and often has musical friends visiting.
“Having a second sitting room also means that if there are any children staying, they have their own place to hang out without disturbing the adults,” Barclay says. “There’s a sliding door that opens onto the field, so they can rush out without causing a ruckus. It gives the guest wing a degree of autonomy, even though it’s connected to the main wing.”
Tolomeo standing lamp: Artemide; all other furniture is the homeowner’s own
“Having a second sitting room also means that if there are any children staying, they have their own place to hang out without disturbing the adults,” Barclay says. “There’s a sliding door that opens onto the field, so they can rush out without causing a ruckus. It gives the guest wing a degree of autonomy, even though it’s connected to the main wing.”
Tolomeo standing lamp: Artemide; all other furniture is the homeowner’s own
As well as the two wood-burning stoves that warm the house, there’s also a ground-source heat pump that runs on electricity generated from solar panels on the roof. “The panels provide more power than the house needs, and the parapet walls on the roof mean you can’t see them from ground level,” Barclay explains.
Cove stove: Charnwood
Cove stove: Charnwood
There are two skylights in the corridor leading to the master bedroom. “The owner was keen to have lots of natural light,” says Barclay, but she didn’t want to have too many windows, as these would puncture the walls and take away from the house’s barn-like aesthetic.”
The pocket door separating the master bedroom and the corridor is solid for privacy, and to block light out of the room at night.
The pocket door separating the master bedroom and the corridor is solid for privacy, and to block light out of the room at night.
The ceiling in the master bedroom slopes up to allow for more of a view of the landscape and sky. “There’s a special feeling to it. There’s a strong sense of horizon,” Barclay says. The other bedrooms are similarly plainly furnished, but don’t have sloping ceilings.
Glo-Ball pendant light: Flos; cupboards: Howdens
Glo-Ball pendant light: Flos; cupboards: Howdens
The glazed sliding door opens onto a little wooden deck. “You can sit in bed and look out to the pond on the left or straight out past the desk to the avenue of oak trees,” says Barclay. “It’s beautiful in winter when the leaves have fallen.”
The bathroom doors in the corridor leading to the master bedroom are made of etched glass, to allow light from the two skylights to flood into the rooms.
“The house is slightly abstract. It has a real presence,” says Barclay. “It’s an enigma. When you first see it, you think it’s one thing; then you walk through it and realise it’s a whole different world.”
“It’s not big,” the architect adds. “It’s actually quite compact, but it has these wings you’re not aware of when you approach it.”
The house in full can be seen here, as viewed from the street; the pond is out of shot to the left.
Separate to the main house is the ‘bat house’, which has space for a garage, playroom and storage.
“We put bat nesting boxes and droppings in the outbuilding, but they had to be dragged kicking and screaming from the old barn into the new building. It was a huge effort,” explains Barclay. “There must be a new habitat nearby that suits them, but they still come in the summer and hunt around the pond. What we’ve learnt is that you can follow the advice of experts, but nature won’t necessarily go for it!”
“We put bat nesting boxes and droppings in the outbuilding, but they had to be dragged kicking and screaming from the old barn into the new building. It was a huge effort,” explains Barclay. “There must be a new habitat nearby that suits them, but they still come in the summer and hunt around the pond. What we’ve learnt is that you can follow the advice of experts, but nature won’t necessarily go for it!”
Here you can see the house as viewed from the outbuilding.
The pond was original to the farm, but was enlarged as part of the project. Rainwater is collected from the roof then ducted to it. It was also used to water the trees that were planted during construction.
Who lives here: The homeowner and her large, extended family, who visit frequently
Location: A former pig farm in Southwold, Suffolk, UK
Size: 200 square metres on 7.5 hectares; 4 bedrooms, 5 bathrooms
Completed: 2012 after 7 months of work
Total cost: Approximately $830,000
Architect: Charles Barclay of Charles Barclay Architects
That’s interesting: There were long-eared bats living in the original barn, so an outbuilding (the ‘bat house’) had to be built a year in advance of work starting on the main house, to give them a suitable new habitat.
On the southern side the house is a horizontal ribbon of large windows to make the most of the views and orientation. The ceilings in the living rooms and master bedroom slope upwards towards the windows to take in the landscape and sky, for that true sense of being in the countryside.