Search results for "Large indoor plant" in Home Design Ideas
Ambient Lounge (Australia)
Be individual and add your own style. Incorporate quirky evergreen indoor plants and cacti to your coffee table, bringing your reading room to life. Explore materials and finishes, play with texture and mix leather sofas with soft modular loungers. Cushioned comforts paired with bold clocks and floor lamp complement this retro interior setting.
Studio Fabbri
Reconfiguration of a dilapidated bathroom and separate toilet in a Victorian house in Walthamstow village.
The original toilet was situated straight off of the landing space and lacked any privacy as it opened onto the landing. The original bathroom was separate from the WC with the entrance at the end of the landing. To get to the rear bedroom meant passing through the bathroom which was not ideal. The layout was reconfigured to create a family bathroom which incorporated a walk-in shower where the original toilet had been and freestanding bath under a large sash window. The new bathroom is slightly slimmer than the original this is to create a short corridor leading to the rear bedroom.
The ceiling was removed and the joists exposed to create the feeling of a larger space. A rooflight sits above the walk-in shower and the room is flooded with natural daylight. Hanging plants are hung from the exposed beams bringing nature and a feeling of calm tranquility into the space.
KD Landscape
The distinct spaces can be seen from this overhead view. The dining area is separated from the social space by three large containers on one side and from the fire pit by a low profile planting bed on the other side. A small grill with counter is conveniently located near the three season room. Landscape design by John Algozzini. Photo courtesy of Mike Crews Photography.
Find the right local pro for your project
A. Perry Homes
The living room of our custom penthouse with lots of seating and a white crown fireplace
This is an example of a traditional formal enclosed living room in Chicago with grey walls, dark hardwood floors, a standard fireplace, a stone fireplace surround and no tv.
This is an example of a traditional formal enclosed living room in Chicago with grey walls, dark hardwood floors, a standard fireplace, a stone fireplace surround and no tv.
Tim Davies Landscaping | Perth
Looking for a unique garden that embraced the harsh location and unique architectural characteristics of the contemporary home, the owner employed the expertise of Tim Davies and Levi Carter of Tim Davies Landscaping to design and build this stunning landscape.
Being in close proximity to the coast, the planting palette needed to be closely considered to create a landscape that would be able to withstand the conditions. The client was determined to have a mature finish to the garden. In order to achieve this, Tim and Levi sourced a range of mature trees from around the state that were suitable for relocation. These species included Poinciana, Olive, Frangipani and Magnolia trees. Custom ornamentation also creates focal points throughout, while large graphite granite bowls and a custom solid granite planter alongside the pool work to tie the spaces together.
This minimal, contemporary design by Tim Davies Landscaping combines high-quality finishes with mature, lush planting to create habitable spaces that work aesthetically.
Grab Photography
Derviss Design
A steep hillside is turned into a lush landscape using salvias, ornamental grasses, pomegranates and other easy care plants.
Inspiration for a traditional sloped garden in San Francisco with natural stone pavers.
Inspiration for a traditional sloped garden in San Francisco with natural stone pavers.
Envision Web
Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.
Reload the page to not see this specific ad anymore
Joseph Spierer Architects, Inc.
A full view of the front entrance of this Modern Spanish home, showing the main entrance, garage and upper room complete with a large balcony overlooking the Southern California views.
Klopf Architecture
Klopf Architecture and Outer space Landscape Architects designed a new warm, modern, open, indoor-outdoor home in Los Altos, California. Inspired by mid-century modern homes but looking for something completely new and custom, the owners, a couple with two children, bought an older ranch style home with the intention of replacing it.
Created on a grid, the house is designed to be at rest with differentiated spaces for activities; living, playing, cooking, dining and a piano space. The low-sloping gable roof over the great room brings a grand feeling to the space. The clerestory windows at the high sloping roof make the grand space light and airy.
Upon entering the house, an open atrium entry in the middle of the house provides light and nature to the great room. The Heath tile wall at the back of the atrium blocks direct view of the rear yard from the entry door for privacy.
The bedrooms, bathrooms, play room and the sitting room are under flat wing-like roofs that balance on either side of the low sloping gable roof of the main space. Large sliding glass panels and pocketing glass doors foster openness to the front and back yards. In the front there is a fenced-in play space connected to the play room, creating an indoor-outdoor play space that could change in use over the years. The play room can also be closed off from the great room with a large pocketing door. In the rear, everything opens up to a deck overlooking a pool where the family can come together outdoors.
Wood siding travels from exterior to interior, accentuating the indoor-outdoor nature of the house. Where the exterior siding doesn’t come inside, a palette of white oak floors, white walls, walnut cabinetry, and dark window frames ties all the spaces together to create a uniform feeling and flow throughout the house. The custom cabinetry matches the minimal joinery of the rest of the house, a trim-less, minimal appearance. Wood siding was mitered in the corners, including where siding meets the interior drywall. Wall materials were held up off the floor with a minimal reveal. This tight detailing gives a sense of cleanliness to the house.
The garage door of the house is completely flush and of the same material as the garage wall, de-emphasizing the garage door and making the street presentation of the house kinder to the neighborhood.
The house is akin to a custom, modern-day Eichler home in many ways. Inspired by mid-century modern homes with today’s materials, approaches, standards, and technologies. The goals were to create an indoor-outdoor home that was energy-efficient, light and flexible for young children to grow. This 3,000 square foot, 3 bedroom, 2.5 bathroom new house is located in Los Altos in the heart of the Silicon Valley.
Klopf Architecture Project Team: John Klopf, AIA, and Chuang-Ming Liu
Landscape Architect: Outer space Landscape Architects
Structural Engineer: ZFA Structural Engineers
Staging: Da Lusso Design
Photography ©2018 Mariko Reed
Location: Los Altos, CA
Year completed: 2017
Christian Rice Architects, Inc.
Coronado, CA
The Alameda Residence is situated on a relatively large, yet unusually shaped lot for the beachside community of Coronado, California. The orientation of the “L” shaped main home and linear shaped guest house and covered patio create a large, open courtyard central to the plan. The majority of the spaces in the home are designed to engage the courtyard, lending a sense of openness and light to the home. The aesthetics take inspiration from the simple, clean lines of a traditional “A-frame” barn, intermixed with sleek, minimal detailing that gives the home a contemporary flair. The interior and exterior materials and colors reflect the bright, vibrant hues and textures of the seaside locale.
Kart Projects | Architecture
Tom Roe Photography
This is an example of a small scandinavian kitchen/dining combo in Melbourne with white walls, linoleum floors and no fireplace.
This is an example of a small scandinavian kitchen/dining combo in Melbourne with white walls, linoleum floors and no fireplace.
Natasha Nuttall Garden Design
An urban oasis in East London.
This space has been transformed into a lush garden perfect for indoor-outdoor living. This garden has been designed so that it is divided into 3 distinct areas, each surrounded by lush. abundant planting. closest to the house a dining patio with a large built in parasol for sunny and slightly rainy days, a second patio area with sofa and chairs offers a great space for coffee, working and drinks near the outdoor kitchen and BBQ area. The substantial built in benches at the rear of the garden offers a wonderful space for relaxing and entertaining with dappled shade from the overhead pergola and plants in summer and warmth of the fire pit on colder nights.
Reload the page to not see this specific ad anymore
River Valley Landscapes
After many years of having no outdoor living space and dealing with overgrown plants and trees the owner’s decided it was time to revitalize their backyard. They knew they wanted a large sitting area with a wood burning fireplace, room for outdoor dining and a place for the grill. A connecting walk would be needed to get guests from the driveway to the outdoor space. Last but not least, the owners wanted the ability to and a reason for stepping out of their unusable patio doors.
The designers decided from the start the fireplace would be the prominent feature and focal point for the entire project. A large fireplace accented with sitting walls and arbors was positioned to anchor the corner of the patio. Stone was chosen to set the fireplace apart as its own element. Brick was used for the sitting walls and brick accents were added to the fireplace to tie into the house. An inlaid herringbone brick detail was incorporated above the stone mantle to simulate artwork which is typically found above indoor fireplaces. Flagstone was used for the wall caps and hearth to match the patio and thicker flagstone tread stock was used for the mantle and top. The arbors were added to visually balance the pergolas at the opposite side of the patio.
For the patio the designers created a series of offset spaces to help subtly divide the space into two areas, sitting and dining. Two large existing trees also help dictate the shape of the patio. Cut flagstone was chosen for the surface bordered by a double soldier edge of brick. The brick edging also surrounds a decorative gravel area topped with an urn fountain which provides a secondary focal point and the sound of water. Large flagstone treads were used for the steps leading to the previously unused patio doors. Opposite the fireplace a short walk leads to a square transition area with a statue chosen by the owner. The statue provides a strong focal point when entering from the driveway. A longer walk leads from this space along the house to the driveway.
The pergolas and arbors were designed by the landscape designer as part of this project but were ultimately contracted separately by the owner. The larger square pergola was intended as an area for a bench or two separate from the main patio. The longer pergola was added later in the design phase to help provide shade to the interior of the house. The arbors at the fireplace were added to balance out the wood elements at the opposite side while adding additional architectural interest to the fireplace.
While this project was predominantly hardscaping, planting and lighting were also incorporated into the design. Several large existing trees were retained and serious of smaller understory trees were added to help enclose the space. The designer’s took advantage of the large trees to place down lights on the branches to achieve a moonlight effect at night. Additional lighting was used on the pergola, to accent focal points, to up light the smaller trees and around the patio. Massed planting of Japanese forest grass provides bold foliage color for the shady garden. A mulch path leads off behind the fireplace to another garden and a secluded area ideal for a bench or small table and chairs. Additional plantings were added along the rear property line to screen and unsightly fence.
This project has obviously completely changed the way the owners use their backyard. They now have a seamless transition from indoors to outdoors with the use of the patio doors. The large patio allows for entertaining small gatherings outdoors for the first time. The fireplace has definitely become the primary gathering place for family and friends.
Hartley Botanic
This imposing garden structure could quite easily become your very own indoor botanical garden. The Grand Manor is the ultimate in expression engineering, made to your specific order, which can optionally include: cold frames, additional ventilation, additional doors and internal shading. You can even add internal partitions to create separate growing zones with your own, specifically designed, automated services. The Grand Manor offers, not only space for day to day growing and propagation, but could also be a winter retreat for all your much-loved, large, containerised tender specimen plants.
The Labyrinth Garden
The brief: Turn a typical inner city terrace
backyard in to a French Courtyard to
provide extra living space.
The owner of this property in Sydney’s
Surry Hills had a typical small pokey east
facing backyard which backed up onto
a large block wall. Knowing space was at
a premium and needing to expand this
small house’s living space, I came up with
an innovative design to maximise the
small space.
The original space was about 7 sqm with
an outdoor laundry and old toilet. Interior
designer Jonathan Clarke of Urban Interior
Design had come up with a clever design
that enabled the kitchen space to open out
to an alfresco dining area. The ultimate
aim of this space was to seamlessly
integrate the indoor and outdoor flow and
to make a small outdoor area feel like an
open extra living green space.
The back area of the house was
demolished and reconfigured to use the
existing side return as an extra kitchen
dining space. This increased the outdoor
area to be around 25 sqm. This needed
to become a light and bright area - and
with walls on all sides, this also needed to
reflect a feeling of light and space which is
much needed in the inner city.
Large sized white coloured concrete
pavers were used to give a feeling of space.
They were laid on a bed of river sand to
allow for drainage when it rained and stop
the paved area becoming a pond. Mature
Ficus cones were used to give the feeling
that the garden had been established for a
long time and two old 19th century French
doors were mirrored and mounted on the
large back wall thus reflecting the garden
and giving a feeling of space and grand
proportions.
A French Urn was used with a Gardenia
standard and under planted with annuals.
White painted hardy plank walls and
wooden trellis were used on the sides to
give an impression of ‘French country’.
Overall the feeling of the space made the
courtyard feel grand as well as spacious
and made a dark underused space an
integral part of the house and created a
much needed extra entertaining space.
Large Indoor Plant - Photos & Ideas | Houzz
Dublin Design Studio
Inspiration for an eclectic living room in Dublin with blue walls, a ribbon fireplace and grey floor.
J Design Group - Interior Designers Miami - Modern
Modern - Contemporary Interior Designs By J Design Group in Miami, Florida.
Aventura Magazine selected one of our contemporary interior design projects and they said:
Shortly after Jennifer Corredor’s interior design clients bought a four-bedroom, three bath home last year, the couple suffered through a period of buyer’s remorse.
While they loved the Bay Harbor Islands location and the 4,000-square-foot, one-story home’s potential for beauty and ample entertaining space, they felt the living and dining areas were too restricted and looked very small. They feared they had bought the wrong house. “My clients thought the brown wall separating these spaces from the kitchen created a somber mood and darkness, and they were unhappy after they had bought the house,” says Corredor of the J. Design Group in Coral Gables. “So we decided to renovate and tear down the wall to make a galley kitchen.” Mathy Garcia Chesnick, a sales director with Cervera Real Estate, and husband Andrew Chesnick, an executive for the new Porsche Design Tower residential project in Sunny Isles, liked the idea of incorporating the kitchen area into the living and dining spaces. Since they have two young children, the couple felt those areas were too narrow for easy, open living. At first, Corredor was afraid a structural beam could get in the way and impede the restoration process. But after doing research, she learned that problem did not exist, and there was nothing to hinder the project from moving forward. So she collapsed the wall to create one large kitchen, living and dining space. Then she changed the flooring, using 36x36-inch light slabs of gold Bianco marble, replacing the wood that had been there before. This process also enlarged the look of the space, giving it lightness, brightness and zoom. “By eliminating the wall and adding the marble we amplified the new and expanded public area,” says Corredor, who is known for optimizing space in creative ways. “And I used sheer white window treatments which further opened things up creating an airy, balmy space. The transformation is astonishing! It looks like a different place.” Part of that transformation included stripping the “awful” brown kitchen cabinets and replacing them with clean-lined, white ones from Italy. She also added a functional island and mint chocolate granite countertops. At one end of the kitchen space, Corredor designed dark wood shelving where Mathy displays her collection of cookbooks. “Mathy cooks a great deal, and they entertain on a regular basis,” says Corredor. “The island we created is where she likes to serve the kids breakfast and have family members gather. And when they have a dinner party, everyone can mill in and out of the kitchen-galley, dining and living areas while able to see everything going on around them. It looks and functions so much better.” Corredor extended the Bianco marble flooring to other open areas of the house, nearly everywhere except for the bedrooms. She also changed the powder room, which is annexed to the kitchen. She applied white linear glass on the walls and added a new white square sink by Hastings. Clean and fresh, the room is reminiscent of a little jewel box. I n the living room, Corredor designed a showpiece wall unit of exotic cherry wood with an aqua center to bring back some warmth that modernizing naturally strips away. The designer also changed the room’s lighting, introducing a new system that eschews a switch. Instead, it works by remote and also dims to create various moods for different social engagements. “The lighting is wonderful and enhances everything else we have done in these open spaces,” says Corredor. T he dining room overlooks the pool and yard, with large, floorto- ceiling window brings the outdoors inside. A chandelier above the dining table is another expression of openness, like the lens of a person’s eyeglasses. “We wanted this unusual piece because its sort of translucence takes you outside without ever moving from the room,” explains Corredor. “The family members love seeing the yard and pool from the living and dining space. It’s also great for entertaining friends and business associates. They can get a real feel for the subtropical elegance of Miami.” N earby, the front door was originally brown so she repainted it a sleek lacquered white. This bright consistency helps maintain a constant eye flow from one section of the open areas to another. Everything is visible in the new extended space and creates a bright and inviting atmosphere. “It was important to modernize and update the house without totally changing the character,” says Corredor. “We organized everything well and it turned out beautifully, just as we envisioned it.” While nothing on the home’s exterior was changed, Corredor worked her magic in the master bedroom by adding panels with a wavelike motif to again bring elements of the outside in. The room is austere and clean lined, elegant, peaceful and not cluttered with unnecessary furnishings. In the master bath, Corredor removed the existing cabinets and made another large cherry wood cabinet, this time with double sinks for husband and wife. She also added frosted green glass to give a spa-like aura to the spacious room. T hroughout the house are splashy canvases from Mathy’s personal art collection. She likes to add color to the decor through the art while the backdrops remain a soothing white. The end result is a divine, refined interior, light, bright and open. “The owners are thrilled, and we were able to complete the renovation in a few months,” says Corredor. “Everything turned out how it should be.”
J Design Group
Call us.
305-444-4611
Miami modern,
Contemporary Interior Designers,
Modern Interior Designers,
Coco Plum Interior Designers,
Sunny Isles Interior Designers,
Pinecrest Interior Designers,
J Design Group interiors,
South Florida designers,
Best Miami Designers,
Miami interiors,
Miami décor,
Miami Beach Designers,
Best Miami Interior Designers,
Miami Beach Interiors,
Luxurious Design in Miami,
Top designers,
Deco Miami,
Luxury interiors,
Miami Beach Luxury Interiors,
Miami Interior Design,
Miami Interior Design Firms,
Beach front,
Top Interior Designers,
top décor,
Top Miami Decorators,
Miami luxury condos,
modern interiors,
Modern,
Pent house design,
white interiors,
Top Miami Interior Decorators,
Top Miami Interior Designers,
Modern Designers in Miami,
J Design Group
Call us.
305-444-4611
www.JDesignGroup.com
Princeton Scapes Inc
Lakeside outdoor living at its finest
This is an example of a large beach style side yard full sun garden in Boston with natural stone pavers and with rock feature.
This is an example of a large beach style side yard full sun garden in Boston with natural stone pavers and with rock feature.
6