Cupboards painted in "PP11-12-13WA" (Oil Eggshell) by Paper and Paints. Boarded wall panelling painted in "PP11-12-13AD" (Oil Eggshell) by Paper and Paints. White farmhouse sink by Villeroy & Boch. Tap in pewter finish by Perrin & Rowe.

This kitchen was formerly a dark paneled, cluttered, and divided space with little natural light. By eliminating partitions and creating a more functional, open floorplan, as well as adding modern windows with traditional detailing, providing lovingly detailed built-ins for the clients extensive collection of beautiful dishes, and lightening up the color palette we were able to create a rather miraculous transformation. The wide plank salvaged pine floors, the antique french dining table, as well as the Galbraith & Paul drum pendant and the salvaged antique glass monopoint track pendants all help to provide a warmth to the crisp detailing. Renovation/Addition. Rob Karosis Photography

Retro and colorful home office/workspace.
Photo of a midcentury home office in Los Angeles with blue walls.

Built in 1894, this historic Stick-style house in Cambridge, Mass. was originally part of an expansive estate owned by Gardiner Greene Hubbard, a lawyer who became the first president of National Geographic Magazine. His daughter married Alexander Graham Bell in the garden. Woodrow Wilson’s daughter later owned the house. Meyer & Meyer was commissioned by the new homeowners to better accommodate their active young family. The whole-house renovation included demolition of a small kitchen and its replacement with a gable-ended addition housing a new French-inspired SieMatic kitchen. The original paneling and woodwork was restored to its original state, filled in where missing, and complemented with new paint colors and hand-painted wall coverings and furniture. The project scope involved conversion of an upstairs office into a master bedroom-bathroom suite, renovation of all bathrooms, enhanced closet space, and an excavation below the house to create a new family room and guest suite with 10-foot-high ceilings.

Inspiration for an arts and crafts exterior in Minneapolis with wood siding.

This Wicker Park property consists of two buildings, an Italianate mansion (1879) and a Second Empire coach house (1893). Listed on the National Register of Historic Places, the property has been carefully restored as a single family residence. Exterior work includes new roofs, windows, doors, and porches to complement the historic masonry walls and metal cornices. Inside, historic spaces such as the entry hall and living room were restored while back-of-the house spaces were treated in a more contemporary manner. A new white-painted steel stair connects all four levels of the building, while a new flight of stainless steel extends the historic front stair up to attic level, which now includes sky lit bedrooms and play spaces. The Coach House features parking for three cars on the ground level and a live-work space above, connected by a new spiral stair enclosed in a glass-and-brick addition. Sustainable design strategies include high R-value spray foam insulation, geothermal HVAC systems, and provisions for future solar panels. Photos (c) Eric Hausman.

Bill Bolin Photography
This is an example of a traditional bedroom in Dallas with grey walls.

Design ideas for a traditional exterior in Minneapolis with stone veneer.

This is an example of a traditional staircase in Charleston.

This is an example of a transitional dining room in Atlanta with grey walls and dark hardwood floors.

Kitchen remodel with white inset cabinets by Crystal on the perimeter and custom color on custom island cabinets. Perimeter cabinets feature White Princess granite and the Island has Labrodite Jade stone with a custom edge. Paint color in kitchen is by Benjamin Moore #1556 Vapor Trails. The trim is Benjamin Moore OC-21. The perimeter cabinets are prefinished by the cabinet manufacturer, white with a pewter glaze. Designed by Julie Williams Design, photo by Eric Rorer Photography, Justin Construction.

Inspiration for a traditional bathroom in Minneapolis with a vessel sink and orange walls.

Traditional detached two-car garage in DC Metro.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The interior design components that make this bedroom work so well: custom window treatments, creative wall treatment, and the right bedding combined with a stylish area rug. I've been asked several times about the paint colors in this room... I always advise people that they should not start with the paint colors when decorating a room, because it's much more difficult to match other decorating elements to paint colors such as fabrics, artwork and area rugs. Where as paint colors can be matched to anything. The paint colors can also look different in a room depending on lighting, both natural and electric. Photos can be great starting points for deciding the color scheme that appeals to you, however, photographs typically don't depict the actual paint colors. Consequently, it is dangerous to say you want the exact paint colors that you see in a photo. What else are you putting in the room that has green in it? Artwork, area rugs and fabrics are great starting points for matching up paint colors, and you definitely want to have a design plan before you start painting color. Here's blog post I wrote on how to ease the process of choosing paint colors... http://devinedecoratingresults.com/2011/03/01/how-to-ease-the-process-of-choosing-paint-colors/ Here's a link to a blog post I wrote on design plans - which you want to have before you start painting... http://devinedecoratingresults.com/2010/01/16/choosing-your-decorating-style/

Mid-Century Modernism inspired our design for this new house in Noe Valley. The exterior is distinguished by cubic massing, well proportioned forms and use of contrasting but harmonious natural materials. These include clear cedar, stone, aluminum, colored stucco, glass railings, slate and painted wood. At the rear yard, stepped terraces provide scenic views of downtown and the Bay Bridge. Large sunken courts allow generous natural light to reach the below grade guest bedroom and office behind the first floor garage. The upper floors bedrooms and baths are flooded with natural light from carefully arranged windows that open the house to panoramic views. A mostly open plan with 10 foot ceilings and an open stairwell combine with metal railings, dropped ceilings, fin walls, a stone fireplace, stone counters and teak floors to create a unified interior.

This project features an award winning front facade make over. The existing mansard roof was framed over to create a new look that provides some solid curb appeal! The interior of the home did not need to be modified to accommodate this renovation, since all of the construction occurred on the outside of the home. John Ray Photography

Enfort Homes - 2019
Design ideas for a large country two-storey white house exterior in Seattle.

Design ideas for a mediterranean courtyard patio in Dallas with a fire feature.