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The Interior Design of your Living and Family room is a very important part of your home dream project.
There are many ways to bring a small or large Living and Family room space to one of the most pleasant and beautiful important areas in your daily life.
You can go over some of our award winner Living and Family room pictures and see all different projects created with most exclusive products available today.
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J Design Group – Miami Interior Design Firm – Modern – Contemporary Interior Designer Miami - Interior Designers in Miami
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Habitat Post & Beam, Inc.
A house located at a southern Vermont ski area, this home is based on our Lodge model. Custom designed, pre-cut and shipped to the site by Habitat Post & Beam, the home was assembled and finished by a local builder. Photos by Michael Penney, architectural photographer. IMPORTANT NOTE: We are not involved in the finish or decoration of these homes, so it is unlikely that we can answer any questions about elements that were not part of our kit package (interior finish materials), i.e., specific elements of the spaces such as flooring, appliances, colors, lighting, furniture, landscaping, etc.
Asher Slaunwhite + Partners
Asher Associates Architects;
D.L. Miner, Builders;
Summer House Design, Interiors;
Euro Line Designe (Kitchen);
John Dimaio, Photography
Design ideas for a large beach style open concept living room in Philadelphia with grey walls, dark hardwood floors and a standard fireplace.
Design ideas for a large beach style open concept living room in Philadelphia with grey walls, dark hardwood floors and a standard fireplace.
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J Design Group - Interior Designers Miami - Modern
J Design Group
The Interior Design of your Bathroom is a very important part of your home dream project.
There are many ways to bring a small or large bathroom space to one of the most pleasant and beautiful important areas in your daily life.
You can go over some of our award winner bathroom pictures and see all different projects created with most exclusive products available today.
Your friendly Interior design firm in Miami at your service.
Contemporary - Modern Interior designs.
Top Interior Design Firm in Miami – Coral Gables.
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J Design Group – Miami Interior Design Firm – Modern – Contemporary
Contact us: (305) 444-4611
www.JDesignGroup.com
J Design Group - Interior Designers Miami - Modern
J Design Group
The Interior Design of your Bathroom is a very important part of your home dream project.
There are many ways to bring a small or large bathroom space to one of the most pleasant and beautiful important areas in your daily life.
You can go over some of our award winner bathroom pictures and see all different projects created with most exclusive products available today.
Your friendly Interior design firm in Miami at your service.
Contemporary - Modern Interior designs.
Top Interior Design Firm in Miami – Coral Gables.
Bathroom,
Bathrooms,
House Interior Designer,
House Interior Designers,
Home Interior Designer,
Home Interior Designers,
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J Design Group – Miami Interior Design Firm – Modern – Contemporary
Contact us: (305) 444-4611
www.JDesignGroup.com
Cornerstone Architects
Conceived as a remodel and addition, the final design iteration for this home is uniquely multifaceted. Structural considerations required a more extensive tear down, however the clients wanted the entire remodel design kept intact, essentially recreating much of the existing home. The overall floor plan design centers on maximizing the views, while extensive glazing is carefully placed to frame and enhance them. The residence opens up to the outdoor living and views from multiple spaces and visually connects interior spaces in the inner court. The client, who also specializes in residential interiors, had a vision of ‘transitional’ style for the home, marrying clean and contemporary elements with touches of antique charm. Energy efficient materials along with reclaimed architectural wood details were seamlessly integrated, adding sustainable design elements to this transitional design. The architect and client collaboration strived to achieve modern, clean spaces playfully interjecting rustic elements throughout the home.
Greenbelt Homes
Glynis Wood Interiors
Photography by Bryant Hill
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Trump Hollywood high rise condominium
Designed by : Jay Britto and David Charette
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Brooks + Scarpa Architects
The Yin-Yang House is a net-zero energy single-family home in a quiet Venice, CA neighborhood. The design objective was to create a space for a large and growing family with several children, which would create a calm, relaxed and organized environment that emphasizes public family space. The home also serves as a place to entertain, and a welcoming space for teenagers as they seek social space with friends.
The home is organized around a series of courtyards and other outdoor spaces that integrate with the interior of the house. Facing the street the house appears to be solid. However, behind the steel entry door is a courtyard, which reveals the indoor-outdoor nature of the house behind the solid exterior. From the entry courtyard, the entire space to the rear garden wall can be seen; the first clue of the home’s spatial connection between inside and out. These spaces are designed for entertainment, and the 40 foot sliding glass door to the living room enhances the harmonic relationship of the main room, allowing the owners to host many guests without the feeling of being overburdened.
The tensions of the house’s exterior are subtly underscored by a 12-inch steel band that hews close to, but sometimes rises above or falls below the floor line of the second floor – a continuous loop moving inside and out like a pen that is never lifted from the page, but reinforces the intent to spatially weave together the indoors with the outside as a single space.
Scale manipulation also plays a formal role in the design of the structure. From the rear, the house appears to be a single-story volume. The large master bedroom window and the outdoor steps are scaled to support this illusion. It is only when the steps are animated with people that one realizes the true scale of the house is two stories.
The kitchen is the heart of the house, with an open working area that allows the owner, an accomplished chef, to converse with friends while cooking. Bedrooms are intentionally designed to be very small and simple; allowing for larger public spaces, emphasizing the family over individual domains. The breakfast room looks across an outdoor courtyard to the guest room/kids playroom, establishing a visual connection while defining the separation of uses. The children can play outdoors while under adult supervision from the dining area or the office, or do homework in the office while adults occupy the adjacent outdoor or indoor space.
Many of the materials used, including the bamboo interior, composite stone and tile countertops and bathroom finishes are recycled, and reinforce the environmental DNA of the house, which also has a green roof. Blown-in cellulose insulation, radiant heating and a host of other sustainable features aids in the performance of the building’s heating and cooling.
The active systems in the home include a 12 KW solar photovoltaic panel system, the largest such residential system available on the market. The solar panels also provide shade from the sun, preventing the house from becoming overheated. The owners have been in the home for over nine months and have yet to receive a power bill.
Architecture Saville Isaacs
Interior - Games room and Snooker room with Home Bar
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
KUBE architecture
Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.
GIL WALSH INTERIORS
An accomplished potter and her husband own this Vineyard Haven summer house.
Gil Walsh worked with the couple to build the house’s décor around the wife’s artistic aesthetic and her pottery collection. (She has a pottery shed (studio) with a
kiln). They wanted their summer home to be a relaxing home for their family and friends.
The main entrance to this home leads directly to the living room, which spans the width of the house, from the small entry foyer to the oceanfront porch.
Opposite the living room behind the fireplace is a combined kitchen and dining space.
All the colors that were selected throughout the home are the organic colors she (the owner) uses in her pottery. (The architect was Patrick Ahearn).
JAC Interiors
Photo by Alexandra DeFurio. Aidan is a 12-year-old girl who lives with her father half of the time. Her parents are divorced and her father wanted his daughter to be at home in his new bachelor house. He wanted her to feel “understood” and validated as a girl entering into her teen years. The room therefore is sophisticated, yet still young and innocent. It may have “grown up” attributes such as chic English paisley wallpaper by Osborne and Little and a sassy “Like Forever” poster, but it is still comfortable enough to hang out on the flokati rug or on the vintage revamped chair.
Aidan was very involved in providing the design inspiration for the room. She had asked for a “beachy” feel and as design professionals know, what takes over in the creative process is the ideas evolve and many either are weeded out or enhanced. It was our job as designers to introduce to Aidan a world beyond Pottery Barn Kids. We incorporated her love of the ocean with a custom, mixed Benjamin Moore paint color in a beautiful turquoise blue. The turquoise color is echoed in the tufted buttons on the custom headboard and trim around the linen roman shades on the window.
Aidan wanted a hangout room for her friends. We provided extra seating by adding a vintage revamped chair accessorized with a Jonathan Adler needle point “Love” pillow and a Moroccan pouf from Shabby chic. The desk from West Elm from their Parson’s collection expresses a grown up feel accompanied with the Saarinen Tulip chair. It’s easier for Aidan to do her homework when she feels organized and clutter free.
Organization was a big factor is redesigning the room. We had to work around mementos that soon-to-be teenagers collect by the truckloads. A custom bulletin board above the desk is a great place to tack party invitations and notes from friends. Also, the small Moda dresser from Room and Board stores books, magazines and makeup stored in baskets from the Container Store.
Aidan loves her room. It is bright and cheerful, yet cheeky and fun. It has a touch of sass and a “beachy” feel. This room will grow with her until she leaves for college and then comes back as a guest. Thanks to her father who wanted her to feel special, she is able to spend half her time in a room that reflects who she is.
John David Rulon
This new house is reminiscent of the farm type houses in the Napa Valley. Although the new house is a more sophisticated design, it still remains simple in plan and overall shape. At the front entrance an entry vestibule opens onto the Great Room with kitchen, dining and living areas. A media room, guest room and small bath are also on the ground floor. Pocketed lift and slide doors and windows provide large openings leading out to a trellis covered rear deck and steps down to a lawn and pool with views of the vineyards beyond.
The second floor includes a master bedroom and master bathroom with a covered porch, an exercise room, a laundry and two children’s bedrooms each with their own bathroom
Benjamin Dhong of Benjamin Dhong Interiors worked with the owner on colors, interior finishes such as tile, stone, flooring, countertops, decorative light fixtures, some cabinet design and furnishings
Photos by Adrian Gregorutti
HEYDT DESIGNS
Residential Design by Heydt Designs, Interior Design by Benjamin Dhong Interiors, Construction by Kearney & O'Banion, Photography by David Duncan Livingston
KUBE architecture
Complete interior renovation of a 1980s split level house in the Virginia suburbs. Main level includes reading room, dining, kitchen, living and master bedroom suite. New front elevation at entry, new rear deck and complete re-cladding of the house. Interior: The prototypical layout of the split level home tends to separate the entrance, and any other associated space, from the rest of the living spaces one half level up. In this home the lower level "living" room off the entry was physically isolated from the dining, kitchen and family rooms above, and was only connected visually by a railing at dining room level. The owner desired a stronger integration of the lower and upper levels, in addition to an open flow between the major spaces on the upper level where they spend most of their time. ExteriorThe exterior entry of the house was a fragmented composition of disparate elements. The rear of the home was blocked off from views due to small windows, and had a difficult to use multi leveled deck. The owners requested an updated treatment of the entry, a more uniform exterior cladding, and an integration between the interior and exterior spaces. SOLUTIONS The overriding strategy was to create a spatial sequence allowing a seamless flow from the front of the house through the living spaces and to the exterior, in addition to unifying the upper and lower spaces. This was accomplished by creating a "reading room" at the entry level that responds to the front garden with a series of interior contours that are both steps as well as seating zones, while the orthogonal layout of the main level and deck reflects the pragmatic daily activities of cooking, eating and relaxing. The stairs between levels were moved so that the visitor could enter the new reading room, experiencing it as a place, before moving up to the main level. The upper level dining room floor was "pushed" out into the reading room space, thus creating a balcony over and into the space below. At the entry, the second floor landing was opened up to create a double height space, with enlarged windows. The rear wall of the house was opened up with continuous glass windows and doors to maximize the views and light. A new simplified single level deck replaced the old one.
Noel Cross+Architects
Firmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company
O’Hara Interiors
Martha O'Hara Interiors, Interior Design & Photo Styling | Troy Thies, Photography | TreHus Architects + Interior Designers + Builders, Remodeler
Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.
Small House Interior Design - Photos & Ideas | Houzz
Harry Braswell Inc.
LEED Certified renovation of existing house.
Traditional l-shaped eat-in kitchen in DC Metro with stainless steel appliances, recessed-panel cabinets, white cabinets, quartzite benchtops, blue splashback and glass tile splashback.
Traditional l-shaped eat-in kitchen in DC Metro with stainless steel appliances, recessed-panel cabinets, white cabinets, quartzite benchtops, blue splashback and glass tile splashback.
Structures, Inc.
WHOLE HOUSE RENOVATION AND ADDITION
Built in the 1940s, this cottage had an incredible amount of character and personality but was not conducive to the way we live today. The rooms were small and did not flow well into one another. The renovation of this house required opening up several rooms and adding square footage to the back of the home, all the while, keeping the curb appeal of a small cottage.
Photographs by jeanallsopp.com
O’Hara Interiors
Interior Design by Martha O'Hara Interiors; Build by REFINED, LLC; Photography by Troy Thies Photography; Styling by Shannon Gale
Beach style eat-in kitchen in Minneapolis with shaker cabinets, grey cabinets and stainless steel appliances.
Beach style eat-in kitchen in Minneapolis with shaker cabinets, grey cabinets and stainless steel appliances.
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