Free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW   Our clients had been in their home since the early 1980’s and decided it was time for some updates. We took on the kitchen, two bathrooms and a powder room. The layout in the kitchen was functional for them, so we kept that pretty much as is. Our client wanted a contemporary-leaning transitional look — nice clean lines with a gray and white palette. Light gray cabinets with a slightly darker gray subway tile keep the northern exposure light and airy. They also purchased some new furniture for their breakfast room and adjoining family room, so the whole space looks completely styled and new. The light fixtures are staggered and give a nice rhythm to the otherwise serene feel. The homeowners were not 100% sold on the flooring choice for little powder room off the kitchen when I first showed it, but now they think it is one of the most interesting features of the design. I always try to “push” my clients a little bit because that’s when things can get really fun and this is what you are paying for after all, ideas that you may not come up with on your own. We also worked on the two upstairs bathrooms. We started first on the hall bath which was basically just in need of a face lift. The floor is porcelain tile made to look like carrera marble. The vanity is white Shaker doors fitted with a white quartz top. We re-glazed the cast iron tub. The master bath was a tub to shower conversion. We used a wood look porcelain plank on the main floor along with a Kohler Tailored vanity. The custom shower has a barn door shower door, and vinyl wallpaper in the sink area gives a rich textured look to the space. Overall, it’s a pretty sophisticated look for its smaller fooprint. Designed by: Susan Klimala, CKD, CBD Photography by: Michael Alan Kaskel For more information on kitchen and bath design ideas go to: www.kitchenstudio-ge.com

This is an example of a transitional l-shaped kitchen in New York with an undermount sink, shaker cabinets, white cabinets, white splashback, stainless steel appliances, medium hardwood floors and with island.

Photo of a large transitional u-shaped separate kitchen in New York with beaded inset cabinets, white cabinets, with island, an undermount sink, marble benchtops, white splashback, stainless steel appliances, porcelain floors and grey floor.

Secondary work sink and dishwasher for all the dishes after a night of hosting a dinner party.
This is an example of an expansive contemporary galley kitchen pantry in Boston with an undermount sink, recessed-panel cabinets, white cabinets, soapstone benchtops, white splashback, stone tile splashback, stainless steel appliances, dark hardwood floors and no island.

Photo credit: Nolan Painting Interior Design: Raindrum Design
This is an example of a large contemporary eat-in kitchen in Philadelphia with white cabinets, white splashback, stainless steel appliances, glass tile splashback, with island, an undermount sink, soapstone benchtops, black benchtop and shaker cabinets.

Un appartement familial haussmannien rénové, aménagé et agrandi avec la création d'un espace parental suite à la réunion de deux lots. Les fondamentaux classiques des pièces sont conservés et revisités tout en douceur avec des matériaux naturels et des couleurs apaisantes.

Photo Credit: Pawel Dmytrow
Mid-sized modern open plan kitchen in Chicago with an undermount sink, flat-panel cabinets, stainless steel appliances, concrete floors and with island.

This is an example of a mid-sized beach style u-shaped eat-in kitchen in Tampa with an undermount sink, shaker cabinets, white cabinets, quartz benchtops, white splashback, porcelain splashback, stainless steel appliances, medium hardwood floors, with island, brown floor and white benchtop.

Custom island and plaster hood take center stage in this kitchen remodel. Full-wall wine, coffee and smoothie station on the right perimeter. Cabinets are white oak. Design by: Alison Giese Interiors

The kitchen in this Mid Century Modern home is a true showstopper. The designer expanded the original kitchen footprint and doubled the kitchen in size. The walnut dividing wall and walnut cabinets are hallmarks of the original mid century design, while a mix of deep blue cabinets provide a more modern punch. The triangle shape is repeated throughout the kitchen in the backs of the counter stools, the ends of the waterfall island, the light fixtures, the clerestory windows, and the walnut dividing wall.

Design ideas for a traditional l-shaped kitchen in Boston with recessed-panel cabinets, white cabinets, grey splashback, mosaic tile splashback, stainless steel appliances, medium hardwood floors, with island, brown floor, grey benchtop and an undermount sink.

In the center of the kitchen is a waterfall island with classic marble countertop, oversized brass geometric pendants, and blue faux leather stools with brass frames. The tile backsplash behind the oven is a geometric marble with metallic inlay which creates a glamorous patterning. Photo: David Livingston

Drawing design inspiration from the gorgeous gray stained cabinetry, we designed the rest of the home to reflect the industrial modern farmhouse vibe that came from these materials and finishes.

Inspiration for a large contemporary l-shaped open plan kitchen in Columbus with an undermount sink, medium wood cabinets, quartzite benchtops, white splashback, marble splashback, stainless steel appliances, medium hardwood floors, with island, brown floor, white benchtop and flat-panel cabinets.

This is an example of a mid-sized transitional l-shaped eat-in kitchen in Chicago with an undermount sink, shaker cabinets, grey cabinets, grey splashback, stainless steel appliances, dark hardwood floors, with island, onyx benchtops and glass tile splashback.

Transitional kitchen in Detroit with an undermount sink, shaker cabinets, blue cabinets, white splashback, stainless steel appliances, dark hardwood floors, with island, brown floor and white benchtop.

Complete overhaul of the common area in this wonderful Arcadia home. The living room, dining room and kitchen were redone. The direction was to obtain a contemporary look but to preserve the warmth of a ranch home. The perfect combination of modern colors such as grays and whites blend and work perfectly together with the abundant amount of wood tones in this design. The open kitchen is separated from the dining area with a large 10' peninsula with a waterfall finish detail. Notice the 3 different cabinet colors, the white of the upper cabinets, the Ash gray for the base cabinets and the magnificent olive of the peninsula are proof that you don't have to be afraid of using more than 1 color in your kitchen cabinets. The kitchen layout includes a secondary sink and a secondary dishwasher! For the busy life style of a modern family. The fireplace was completely redone with classic materials but in a contemporary layout. Notice the porcelain slab material on the hearth of the fireplace, the subway tile layout is a modern aligned pattern and the comfortable sitting nook on the side facing the large windows so you can enjoy a good book with a bright view. The bamboo flooring is continues throughout the house for a combining effect, tying together all the different spaces of the house. All the finish details and hardware are honed gold finish, gold tones compliment the wooden materials perfectly.

Interior - Kitchen Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

High Ceilings and Tall Cabinetry. Water fall Counters in Marble.
Design ideas for a large transitional galley eat-in kitchen in Houston with shaker cabinets, white cabinets, marble benchtops, with island, an undermount sink, grey splashback, marble splashback, stainless steel appliances, medium hardwood floors, brown floor and grey benchtop.