La cuisine ouverte sur le séjour est aménagée avec un ilôt central qui intègre des rangements d’un côté et de l’autre une banquette sur mesure, élément central et design de la pièce à vivre. pièce à vivre. Les éléments hauts sont regroupés sur le côté alors que le mur faisant face à l'îlot privilégie l'épure et le naturel avec ses zelliges et une étagère murale en bois.

This is an example of a mid-sized transitional l-shaped eat-in kitchen in Denver with an undermount sink, shaker cabinets, blue cabinets, quartzite benchtops, white splashback, ceramic splashback, panelled appliances, medium hardwood floors, with island, beige floor and white benchtop.

Inspiration for a mid-sized traditional galley open plan kitchen in Moscow with an undermount sink, flat-panel cabinets, beige cabinets, laminate benchtops, grey splashback, ceramic splashback, porcelain floors, grey floor and grey benchtop.

This is an example of a mid-sized transitional l-shaped eat-in kitchen with an undermount sink, flat-panel cabinets, beige cabinets, quartz benchtops, beige splashback, ceramic splashback, stainless steel appliances, dark hardwood floors, with island, brown floor and white benchtop.

We reconfigured the kitchen to maximize the light and the view. The sink and window were previously facing the next door neighbor's garage, so that became the range wall and the window was relocated to face the beautiful trees and rock formations in the back yard. A full light exterior entry door was added in place of the former door to let natural light flood the space. Layered recess lighting and a glass pendant over the sink further increase brightness in what was previously a very dark space. Custom moody gray-blue inset shaker cabinetry is paired with elongated handmade matte white tile backsplash, alongside white quartz, pale blue walls and off-white trim. Quartersawn white oak floors replace the old linoleum and blend beautifully with the original pine floors on the rest of the first floor. Warm brass hardware and fixtures are a lovely contrast against the dark cabinetry. A fluted white fireclay farm sink is a functional statement piece in a small space. An Acacia wood island with stainless steel top adds practical warmth. Period-appropriate trim was brought back into the modern kitchen to maintain the historic integrity of the home.

Kitchen with walnut cabinets and screen constructed by Woodunique.
Inspiration for a large midcentury galley eat-in kitchen in Little Rock with an undermount sink, dark wood cabinets, quartz benchtops, blue splashback, ceramic splashback, stainless steel appliances, dark hardwood floors, no island, white benchtop, exposed beam, vaulted, flat-panel cabinets and brown floor.

Belfast sink with striking gold tap nestled between Silestone Quartz work surfaces.
Large traditional l-shaped open plan kitchen in Cheshire with a farmhouse sink, shaker cabinets, green cabinets, quartzite benchtops, beige splashback, ceramic splashback, white appliances, light hardwood floors, with island, brown floor and white benchtop.

A grand Larchmont Tudor with original millwork and details was ready for a new kitchen after raising the kids and spending decades cooking in a cramped dark kitchen. Designer Sarah Robertson of Studio Dearborn helped her client achieve a look that blended perfectly with the Tudor home. The kitchen was bumped out a bit to open up the space, and new millwork was designed to bring the original Tudor charm into the modernized kitchen space. A geometric Ann Sacks tile introduces shape and texture to the space, and a little modern edginess, while the cabinetry and doors reflect the old world motifs of a Tudor revival. Photos Adam Macchia. For more information, you may visit our website at www.studiodearborn.com or email us at info@studiodearborn.com.

This kitchen was custom built. The island is Stillwater by Sherwin Williams. And the other cabinets are Pale Oak by Benjamin Moore. I did a whole before, during & after of this house on my YouTube Channel : Lynette Yoder

A backsplash of 3x3 Sheeted MosaicTile in creamy Milky Way blends perfectly with the blonde wood of this brightly lit Los Angeles kitchen.
Small contemporary u-shaped kitchen pantry in Los Angeles with a farmhouse sink, beige splashback, ceramic splashback, stainless steel appliances and with island.

Design ideas for a modern single-wall open plan kitchen in Tokyo with an undermount sink, beaded inset cabinets, grey cabinets, laminate benchtops, grey splashback, ceramic splashback, black appliances, medium hardwood floors, with island, beige floor and grey benchtop.

Large country u-shaped eat-in kitchen in San Francisco with marble benchtops, medium hardwood floors, with island, multi-coloured benchtop, a farmhouse sink, shaker cabinets, white cabinets, white splashback, panelled appliances and ceramic splashback.

Inspiration for a large country kitchen in San Francisco with marble benchtops, medium hardwood floors, with island, multi-coloured benchtop, a farmhouse sink, white splashback, panelled appliances, shaker cabinets, white cabinets and ceramic splashback.

On adore cette jolie cuisine lumineuse, ouverte sur la cour fleurie de l'immeuble. Un joli carrelage aspect carreau de ciment mais moderne, sous cette cuisine ikea blanche aux moulures renforçant le côté un peu campagne, mais modernisé avec des boutons en métal noir, et une crédence qui n'est pas toute hauteur, en carreaux style métro plat vert sauge ! Des petits accessoires muraux viennent compléter le côté rétro de l'ensemble, éclairé par des suspensions design en béton.

Design ideas for a large traditional l-shaped eat-in kitchen in New York with a farmhouse sink, raised-panel cabinets, grey cabinets, quartz benchtops, white splashback, ceramic splashback, stainless steel appliances, medium hardwood floors, with island, brown floor and white benchtop.

Nearly two decades ago now, Susan and her husband put a letter in the mailbox of this eastside home: "If you have any interest in selling, please reach out." But really, who would give up a Flansburgh House? Fast forward to 2020, when the house went on the market! By then it was clear that three children and a busy home design studio couldn't be crammed into this efficient footprint. But what's second best to moving into your dream home? Being asked to redesign the functional core for the family that was. In this classic Flansburgh layout, all the rooms align tidily in a square around a central hall and open air atrium. As such, all the spaces are both connected to one another and also private; and all allow for visual access to the outdoors in two directions—toward the atrium and toward the exterior. All except, in this case, the utilitarian galley kitchen. That space, oft-relegated to second class in midcentury architecture, got the shaft, with narrow doorways on two ends and no good visual access to the atrium or the outside. Who spends time in the kitchen anyway? As is often the case with even the very best midcentury architecture, the kitchen at the Flansburgh House needed to be modernized; appliances and cabinetry have come a long way since 1970, but our culture has evolved too, becoming more casual and open in ways we at SYH believe are here to stay. People (gasp!) do spend time—lots of time!—in their kitchens! Nonetheless, our goal was to make this kitchen look as if it had been designed this way by Earl Flansburgh himself. The house came to us full of bold, bright color. We edited out some of it (along with the walls it was on) but kept and built upon the stunning red, orange and yellow closet doors in the family room adjacent to the kitchen. That pop was balanced by a few colorful midcentury pieces that our clients already owned, and the stunning light and verdant green coming in from both the atrium and the perimeter of the house, not to mention the many skylights. Thus, the rest of the space just needed to quiet down and be a beautiful, if neutral, foil. White terrazzo tile grounds custom plywood and black cabinetry, offset by a half wall that offers both camouflage for the cooking mess and also storage below, hidden behind seamless oak tambour. Contractor: Rusty Peterson Cabinetry: Stoll's Woodworking Photographer: Sarah Shields

This is an example of a large country l-shaped kitchen in Los Angeles with a drop-in sink, glass-front cabinets, grey cabinets, marble benchtops, white splashback, ceramic splashback, stainless steel appliances, marble floors, with island, multi-coloured floor, white benchtop and exposed beam.

This is an example of a mid-sized country u-shaped eat-in kitchen in Jacksonville with a farmhouse sink, quartz benchtops, white splashback, ceramic splashback, stainless steel appliances, light hardwood floors, with island, brown floor and white benchtop.

The owners of this kitchen had spent the money to upgrade the finishes in their kitchen upon building the home 12 years ago, but after living in the space for several years they realized how nonfunctional the layout really was. The (then) two preschool aged children had grown into busy, hungry teenagers with many friends who also liked to hang out at the house. So the family needed a more functional kitchen with better traffic flow, space for daily activities revolving around the kitchen at different times of day, and a kitchen that could accommodate cooking for and serving large groups. Furthermore, the dark, traditional finishes no longer reflected the homeowners’ style. They requested a brighter, more relaxed, coastal style that reflected their love of the seaside cities they like to visit. Originally, the kitchen was U-shaped with a narrow island in the middle. The island created narrow aisles that bottle-necked at the dishwasher, refrigerator, and cooktop areas. There was a pass-through from the foyer into the kitchen, but the owners never liked that the pass-through was also located so close to the powder room. The awkward proximity was unappealing and made guests feel uncomfortable. The kitchen’s storage was made up of lots of narrow cabinets, apothecary drawers, clipped corner units, and very few drawers. It lacked useful storage for the larger items the family used on a daily basis. And the kitchen’s only pantry was small closet that had only builder-grade, narrow shelving with no illumination to be able to see the contents inside. Overall, the kitchen’s lighting plan was poorly executed. Only six recessed cans illuminated the entire kitchen and nook areas. The under cabinet lighting was not evenly distributed either. In fact, the builder had mis-placed the under cabinet lighting around the decorative pilasters which made for choppy, dark cubbies. Further, the builder didn’t include any lighting over the sink or the bar area, which meant whoever was doing the dishes was always in their own shadow. That, coupled with the steep overhang of the game room above made the bar area feel like a dim, cavernous space that wasn’t inviting or task oriented. The kitchen looked out into the main living space, but the raised bar and a narrow wall (which held the only large cabinet in the kitchen) created more of a barrier than a relationship to the living room or breakfast nook. In fact, one couldn’t even see the breakfast nook from the cooktop or sink areas due to its orientation. The raised bar top was too narrow to comfortably sit to either dine at or chat from due to the lack of knee space. The the homeowners confided that the kitchen felt more like a dark, dirty prison than place where the family, or their guests, wanted to gather and commune. The clients' needs and desires were: ➢ to create a kitchen that would be a space the family loved to be in; to relate to the adjacent spaces all around, and to have better flow for entertaining large groups ➢ to remove the walls between the breakfast nook and living area and to be able to utilize the natural light from the windows in both those areas ➢ to incorporate a functional chopping block for prepping fresh food for home cooked meals, an island with a large sink and drain board, 2 pull out trash cans, and seating for at least the 2 teens to eat or do homework ➢ to design a kitchen and breakfast nook with an airy, coastal, relaxed vibe that blended with the rest of the house's coastal theme ➢ to integrate a layered lighting plan which would include ample general illumination, specific task lighting, decorative lighting, and lots of illuminated storage ➢ to design a kitchen with not only more storage for all the husband’s kitchen gadgets and collection of oils and spices, but smart storage, including a coffee/breakfast bar and a place to store and conceal the toaster oven and microwave ➢ to find a way to utilize the large open space between the kitchen, pantry area, and breakfast nook Twelve Stones Designs achieved the owner's goals by: ➢ removing the walls between the kitchen and living room to allow the natural light to filter in from the adjacent rooms and to create a connection between the kitchen, nook, and living spaces for a sense of unity and communion ➢ removing the existing pantry and designing 3 large pantry style cabinets with LED tape lights and rollout drawers to house lots of kitchen appliances, gadgets, and tons of groceries. We also took the cabinets all the way up to the 9’ ceiling for additional storage for seasonal items and bulk storage. ➢ designing 2 islands - 1 with a gorgeous black walnut chopping block that houses a drawer for chopping and carving knives and a custom double pull out trash unit for point of use utilization - and 1 that houses the dishwasher, a large Blanco Gourmet sink with integrated drain board, woven baskets for fresh root vegetables and kitchen towels, plenty of drawer storage for kitchen items, and bar seating for up to 4 diners. ➢ closing off the space between the kitchen and the powder room to create a beautiful new private alcove for the powder room as well as adding some decorative storage. This also gave us space to include more tall storage near the new range for precision placement of the husband’s extensive oil and spice collection as well as a location for a combo-steam oven the wife wanted for baking and cooking healthy meals. The project is enhanced functionally by: ➢ incorporated USB and standard receptacles for the kids’ laptops and phone charging in the large island ➢ designing the small island to include additional open shelving for items used on a daily basis such as a variety of bowls, plates, and colanders. This set up also works well for the husband who prefers to “plate” his dinners in restaurant-style fashion before presenting them to the table. ➢ the integration of specific storage units, such as double stacked cutlery drawers, a custom spice pull-out, a Kuerig coffee and tea pod drawer, and custom double stacked utensil drawers ➢ moving the refrigerator to the old oven location - this eliminated the bottle neck as well as created a better relationship to the eating table. It also utilizes the floor space between the pantry, nook, and kitchen ➢ creating a banquet style breakfast nook - this banquette seating not only doubles the amount of seating for large gatherings but it better utilizes the odd space between the kitchen and the previous nook area. It also helps to create a distinct pathway from the mudroom room through the pantry area, kitchen, nook, and living room. ➢ the coffee/breakfast bar area which includes the perfect location for the concealed microwave and toaster oven, convenient storage for the coffee pods and tea accoutrements. Roll-out drawers below also house the smoothie maker, hot water kettle, and a plethora of smoothie-making ingredients such as protein powders, smoothie additives, etc. Furthermore, the drawers below the Keurig house measuring utensil, cutlery, baking supplies and tupperware storage. ➢ incorporating lots of wide drawers and pullouts to accommodate large cookware. ➢ utilizing as much vertical space as possible by building storage to the ceiling which accommodates the family’s abundant amount of serving platters, baking sheets, bakeware, casserole dishes, and additional cutting boards. The project is enhanced aesthetically by: ➢ new 5-piece Versailles pattern porcelain tile that now seamlessly joins the entire down stairs area together creating a bright, cohesiveness feeling instead of choppy separated spaces - it also adds a coastal feeling ➢ designing a cabinet to conceal the microwave and toaster oven ➢ the coastal influenced light fixtures over the nook table and island ➢ the sandy colors of the Langdon Cambria countertops. The swirling pattern and sparkling quartz pieces remind the homeowner of black-and-tan sandy beaches ➢ the striped banquet seating whose creamy white background and blue-green stripes were the inspiration for the cabinet and wall colors. ➢ All the interior doors were painted black to coordinate with the blacks and grays in the backsplash tile and countertop. This also adds a hint of tailored formality to an otherwise casual space. ➢ the use of WAC's Oculux small aperture LED units for the overhead lighting complimented with Diode LED strips for task lighting under the cabinets and inside the pantry and glass wall cabinets. All of the lighting applications are on separate dimmer switches. Innovative uses of materials or construction methods by Realty Restoration LLC: ➢ Each 1-1/2” x 3” block of reclaimed end-grain black walnut that makes up the center island chopping block was hand milled and built in the shop. It was designed to look substantial and proportional to the surrounding elements, executed by creating the 4 inch tall top with a solid wood chamfered edge band. ➢ The metal doors on either side of the vent hood were also custom designed for this project and built in the Realty Restoration LLC shop. They are made 1x2, 11-gauge mild steel with ribbed glass. Weighing 60 lbs a piece, heavy duty cabinet hinges were added to support the weight of the door and keep them from sagging. ➢ Under-cabinet receptacles were added along the range wall in order to have a clean, uninterrupted backsplash. Design obstacles to overcome: ➢ Because we were removing the demising walls between the kitchen and living room, we had to find a way to plumb and vent the new island. We did this by tunneling through the slab (the slab had post tension cables which prevented us from just trenching) to run a new wet vent through a nearby structural wall. We pulled the existing hot and cold lines between upper floor joists and ran them down the structural wall as well and up through a conduit in the tunnel. ➢ Since we were converting from wall overs to a gas range it allowed us to utilize the 220 feed for the wall ovens to provide a new sub panel for all the new kitchen circuits ➢ Due to framing deficiencies inherited from the original build there was a 1-1/2” differential in the floor-to-ceiling height over a 20 foot span; by utilizing the process of cutting and furring coupled with the crown moulding details on the cabinet elevations we were able to mask the problem and provide seamless transitions between the cabinet components. Evidence of superior craftsmanship: ➢ uniquely designed, one-of-a-kind metal “X” end panels on the large island. The end panels were custom made in the Realty Restoration LLC shop and fitted to the exact dimensions of the island. The welding seams are completely indistinguishable - the posts look like they are cut from a single sheet of metal ➢ square metal posts on the small island were also custom made and designed to compliment and carry through the metal element s throughout the kitchen ➢ the beautiful, oversized end panels on the pantry cabinets which give the breakfast nook a tailored look ➢ integrating a large format 5 piece Versailles tile pattern to seamlessly flow from the existing spaces into the new kitchen space ➢ By constructing a custom cabinet that jogged around a corner we could not remodel (housing the entry way coat closet) we were able to camouflage the adjacent wall offset within the upper and lower cabinets. By designing around the existing jog in the structural walls we accomplished a few things: we were able to find the space to house, and hide, the microwave and toaster oven yet still have a clean cohesive appearance from the kitchen side. Additionally, the owners were able to keep their much needed coat closet and we didn’t have to increase the budget with unnecessary structural work.