RESIDENTIAL CHURCH CONVERSION contemporary-exterior
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RESIDENTIAL CHURCH CONVERSION Contemporary Exterior, Melbourne

Bagnato Architects

AXIOM PHOTOGRAPHY
URL
http://www.bagnatoarchitecture.com.au
Inspiration for a contemporary concrete exterior in Melbourne. — Houzz

This photo has 3 questions

adriana661 wrote:
Paint Colour - Stunning home. Can you please tell me the name of the paint colour used on the exterior timber part of the home. Thanks
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PRO
Bagnato Architecture & Interiors

Hi

My apologies for getting back to you so late. Somehow we missed this question.

The dark colour is a black colour
The timber weather boards are a colour from Taubmans paints here in Australia and the colour is called TWIGGY. The website is www.taubmans.com.au
The render is a toscano render. Their website is www.toscanoromanrender.com.au

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Ebony Pezzuto wrote:
Render - Hi could you tell me the render colour used ?
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PRO
Bagnato Architecture & Interiors
Hi Ebony,

The render is a toscano roman render. The colour is Orrong.
It was selected from the toscano website as follows:

www.toscanoromanrender.com.au

Regards,
Dominic Bagnato
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Rachael Newton wrote:
Love the garage door! - Hi there, the entire project looks amazing! Can you tell me where I can source this garage door and what price it is? Thank you!
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PRO
Bagnato Architecture & Interiors
Hi Rachael,

Sorry for getting back to you so late. Its been a hectic Xmas period. The door was purchased from Dandenong Garage Doors here in Melbourne. Their contact details are (03) 9988 1258
Website: www.dandenonggaragedoors.com.au
It was a sectional timber door which we painted black.
the price was approximately $3,000.00 back in 2012

Regards,
Dominic Bagnato
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What Houzz contributors are saying:

Jenny Drew added this to Houzz Tour: Church Renovation a Golden Opportunity
Since this is a heritage-listed building, the architects retained all the original exterior features on the church side, including the weatherboard, Gothic windows and cloverleaf vent. “To be transparent, we wanted to highlight the building, not destroy the facade,” Marie explains. A black stairwell links the church to the new modern building, which contains the master bedroom.
Jaclyn McRae added this to Seven From Heaven: Worship-Worthy Church Conversions
1. 1892 Anglican church conversion in MelbourneThe perfect marriage of old and new, this Melbourne conversion offers open-plan living at its finest. Vast expanses of glass flood the living zones with sunlight, while a clever extension is home to extra bedrooms and a garage. A striking charcoal palette brings extra warmth and drama.
Rebecca Naughtin Architect added this to From the Ground Up: Designing for Your Location
Consider the vernacular shapes and proportions of existing buildings on site and complement these without mimicking the style.See more of this church conversion
Rebecca Naughtin Architect added this to Plan a Clever Extension That Blissfully Blends Old and New
Using the vernacular of both residential and secular design, Bagnato connects them using a neutral form that lights up in the evening, complementing the dominant forms without competing with either of them.
Kerryn Ramsey added this to What's Your Garage Door Style?
4. Mixing different erasDesigned by Bagnato Architects, this converted church and extension mixes past and present. For continuity, the two sections utilise angled rooflines, and while the box-like garage has a dark, understated effect, it is still a significant part of the design and is framed by two statement lights. The tones of white, metal and charcoal pop up on both sections of the house, creating an almost ethereal effect.
Avalon Pover-Leong added this to Lighting Got You Confused? Get to Know the Basics
DESIGNER TIP: Accent lighting will only work if it is brighter than the ambient lighting. You must have at least three times more light directed on the focal point than the light around it, so that you are fully accentuating your chosen feature. This type of lighting should have ‘hard’ edged shadows so that it creates contrast and in turn a dramatic and outstanding effect.
Adam Hobill : Design added this to How to Choose the Right Designer for Your Project
Understanding fees goes hand in hand with understanding what level of service you require. Do you simply need your ideas turned into professional drawings so that they can be approved for construction or do you need a full design service that may also include contract administration, where the architect deals with the builder throughout the course of the build? There are many levels of service in between and the difference in fees can be tens of thousands of dollars, so it pays to be clear on what services you require. If you are unsure of the options available, don’t hesitate to ask. Then, when you receive fee proposals, make sure they clearly articulate the services being offered and the deliverables.
Adam Hobill : Design added this to 7 Renovating Lessons You Don’t Want to Learn the Hard Way
One of the other issues with matching period architecture is that modern living demands different outcomes. For example, vast walls of glass that are now so desirable for capturing sunlight and framing views are at odds with older architectural styles where windows are of much smaller proportions (due to the limitations of glass manufacturing during that period). Trying to marry those two requirements together is very tricky and is rarely successful. For that reason, you should consider the opportunities and benefits of modern architecture as a way of contrasting and highlighting the qualities of the existing building. By doing so, a new world of options opens up in terms of scale, form, materials and texture.Plan an extension that blends old and new
Bagnato Architecture & Interiors added this to 10 Gable Roofs That Praise the Triangle
9. Explaining architectural historyIn our own architectural office, we had an opportunity to transform a 100-year-old timber church into a contemporary home. However, we soon discovered that to preserve history and tell a story, we had to find a way to explain the architectural history of the existing building along with the proposed new contemporary additions. Our solution was to preserve the gothic timber gable roof, restoring it back to its original condition, while proposing a contemporary gable roof adjacent that would leave no doubt as to the age of each section. The older gable was made of timber and contained architectural fretwork and eaves, while the new gable has no eaves, is smaller in proportion and devoid of detail.See more of this project

What Houzzers are commenting on:

nbettelheim added this to Geoffroy Yard Remodel
i like the treatment on the grey house. could we do this (in a lighter, more taupe/grey tone, for the stucco panels?

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