@midesign0401, Hi Megan, yes it is heaven, I take a look at it all and sigh in happiness!!! As for the house, there's a bit of money to go ahead but this is now our busy time of the year, as we are hay contractors spending many many hours in tractors. However, I intend to get onto the next job ASAP which is laying the sill tiles around the veranda. It's a bit of an old fashioned look but these tiles will protect our limestone bricks from water stain when it's raining constantly in winter. The water will run off the sill tile and drop just a little shy of the bricks. Limestone is not only rough in our case but very porous and we also plan to have these tiles on all the window sills too, like the old tan brick houses from the 50's and the chocolate brown sill they had on their windows,only ours are cream not chocolate. It will be easy to wipe the sills from time to time and keep the house neat and clean. Once these tiles ar in place, 80mtrs of tiles, then we can concrete the veranda and then the roof iron can go on hopefully before Christmas. We have all the bricks for the home but need to find another $16,000 for all the rest of the windows. We are only using our own income, not borrowing at all so we have to do a budget and see if we can allow the money for the windows as the income we earn from Sept to Dec, is about 90% of our income for the entire year. It's taken 7 years now to get to this point having spent more that $80,000 already as I'm keeping a diary of spending. Goodness knows how much a 30+ square home with pool would cost if we had to pay a builder!!! We are owner builders and we've done everything ourselves including digging all the foundation and laying over 5000 standard bricks and digging the hole for the pool and fitting the pool including all the plumbing. We put in all the concrete stumps, layed the floor and fitted all the underfloor plumbing with a plumber friend guiding us along. We also put up all the framing and roof trusses, so we are absolutely chuffed with our abilities and progress.

As an architect, I have a list of words saved on my desktop that I am conscious can sound confusing to the client! One day I hope to write a little archi-dictionary to help clients work out what we mean when we use so many of the words that seem natural to us! 'Form', 'honest materials', 'warmth', 'documentation', 'draft', 'sketch plan', 'detail', 'mass', 'spine', 'circulation', 'water harvesting', 'floating', 'dynamic', 'heavy', 'celebrate'... etc.

Changing flooring in open plan is always a difficult challenge and the light carpet is the bigger problem because of the contrast cutting up the pure Scandi vibe. Pure white kitchens are always cool looking I think you have 3 kids and your kitchen will warm up when you get the coffee machine, kettle, chopping boards wooden looking accessories in there and on the bench topwith a couple of green plants, fake or not. Take a trip to Ikea or browse their catalogue and website - their stylists are a great inspiration. You don't have to get your stuff from there but they are very clever at layering. When we go we always take a camera for those little touches which makes scandi look so clean and fresh. Invariably when I get home I have something similar I can repurpose. Dump the office vertical blinds I agree! they have to be the ugliest thing ever invented. If privacy is not an issue leave the window bare. And what's with the 1980s old fashioned security screen across the kitchen window? No Scandi ever had wiggly diamond flyscreens! Loose that too. Whoops that sounds a bit harsh :-) Funny thing about living somewhere is - after a few weeks you won't even notice, I have lived with the same damask wallpaper in the hallway for the last 30 years - its back in fashion again. I spend all of 10 seconds walking down that hallway, I think everything gets a bit precious when it comes to picking things all at once, better to let the space evolve as you live in it.

As mentioned previously, the balustrade and safety barrier regulations exist for good reason, ultimately to prevent accidental loss of life. No equal counter argument, period. Are they overly restrictive? Not necessarily. Are they tighter than other countries? Definitely. Can we vary them? Sometimes, if you can prove compliance to the deemed to satisfy provisions. Can we achieve the same aesthetically clean "no barrier" designs in Australia as simply and to the same degree as in other countries? No. But these more restrictive conditions don't necessarily equate to more restrictive architecture. Arguably we have to work harder and be more creative within constraints to get what I'd describe as quality and clever architectural solutions, but you know what? Too bad. And this is what separates "the men from the boys" so to speak (no gender inequality meant at all) I thrive on the creative opportunity within the constraint and it challenges our professional to go deeper creatively using the breadth of of skills to achieve results in arguably more challenging conditions. Its an easy cop out just to whinge about safety barriers or whatever the particular restriction is based on predominantly aesthetic/visual/spatial goals. Design solutions will ultimately reflect/respond to the contextual conditions. Yes outside of Australia there is less regulation around matters of safety that can be exploited by design solutions to sometimes achieve visually and spatially breathtaking results, such as in the images shown on this post. Like in all situations it's about balance and priorities and when practicing design and architecture in this country issues around safety are managed more robustly by regulation, which in turn naturally requires design solutions to work within the limits, which in many cases, due to the particular project priority stack and/or capacity of the people involved, results in less "integrated" solutions. At the end of the day, quality architecture is important and there's not enough of it here IMO, but that aside, safety barriers won't and don't prevent great or interesting architecture, but they do reduce/minimise loss of life, particularly young life, and that there I think for any project regardless should be the absolute highest priority, above and beyond any potential aesthetic or spatial outcome.