A great concept, I've often considered doing so myself. Whats great about your bodo boards, and the schemes put together on this poll, is that they are quite adaptive with a neutral foundation. They can be easilyapplied to everyone. I love an emphasis on tone and texture, and in place of colour, visual interest is really added by accents, architecture and artwork. The australian bush scheme is very textural, although I think the palette could explore some of the more chromatic tones in our bush, some organic notes of green and taupes, but perhaps with vibrant yellows or deep indigos for example introduced. as for the romantic industrial, lovely, but it is only so because of the rose pink. A feminine take on industrial would to me be softened with humanised accents. Please explain, industry is mechanical, and romance or femininity is softness, so perhaps signage featuring lettering, or bespoke handicrafts which show the connection between industry, and loved spaces created out of collecting. Almost a way of feathering our nest. waterfont is cool, calm and yes collected. Literally. I love coastal schemes, but they can become a little predictable when they are literal interpretations of sea and sand. Coastal can easily be adapted to a relaxed style and I feel many colours can be applied to demonstrate this costal palette. . The key is in muting the scheme and enhancing the textures from nature. Tha grand! Oh the grand. I love it. Who doesn't really. Its very now, but the drama and edge is lost in applying same old collaborations. The geometric tile, chevron, hexagonal or penny rounds are gorgeous, and befitting the current style, but more so appropriate in specific architectural styles, not everyone an have a warehouse or loft, or grand 1920s residence, although we all try to use these same materials and formats. Precious metals and stones are the height of popularity and luxury, brass, marble and glass, are all in favour, actually have never been out of it. What I want is to see the used in a contemporary fashion. It is my pick, because it actually does respond to my own homes architecture, so I'm always on a hunt and gather of images and ideas to develop this gorgeous and luxe style. Whats next? Usually in an effort to be new and different, we move away from what's in front of us, but ever so gradually. I think the appreciation for industry, form and function, man made objects, formats, collaborations will be in favour for some time, so to in an effort to be different, organic will evolve. Colour notes, timbers, sustainability and natural form will emerge. Not to say literall greens or Browns, but more so, soft geometry, tactile materials and surfaces, perhaps a focus on light and shade over shimmer and style. bespoke practices, so things if stone and wood, and one off designs, as in using products that can't be replicated in process, like bricks, every ones different, veneers, grained materials, and unpretentious designs. Hand scribed lines, patterns or prints, I think will favour. Thestyle of now is definitely one we aspire to, as in luxe and indulgent, the monochromatic scheme which is actually ACHROMATIC people is overdone, but will never be out of favour. It is classic. When done right, it is the epitome of style, only the definition of that is what changes! love what you do....I can't articulate the value of conceptualising your style in finishes and fittings, design is often felt not learnt, and we respond to our environments, so it makes sense that seeing your style emerge from a collective consciousness in the form of a board, will literally transform your ideas in reality. As a designer myself, I'm constantly creating them. My own home is a work in progress, which I've created many concepts for. I'm very interested in seeing your perspective on it though, and I'd be very grateful for a bodo board from your design perspective. ml

I wouldn't recommend covering the northern deck with a permanent structure. As oklouise says, along with losing that lovely northern light, you'll miss out on all the heat that winter sunshine would provide (called passive solar heating. This could be very substantial, resulting in decreased comfort & increased heating bills. Read more about passive solar heating here, http://www.yourhome.gov.au/passive-design My parents have a horizonal awning over a small balcony that works well, though may not be suitable for a larger area. They also have a large triangular shade sail upstairs, on their terrace. This must be put up & taken down every day that it's used (due to ocean breezes), which is a nuisance. So it's not used too often. The next door neighbours also have a large triangular shade sail. This one is a permanent fixture, & rolls up. Although it does take two people to roll/unroll it, it is still a much more convenient set up. It's not perfect, as the fabric is quite flimsy (although it roll away behind a guard that would protect it from the weather a bit). But something similar would be worth investigating. This was a custom job, & I'm struggling a bit to find something the same online. I have found an interesting rectangular roll up shade sail (by Soliday I think). I'm struggling to use the website on my phone, but it may be worth looking at. It's a 41 page pdf towards the bottom of the page, after the other images. http://pdf.archiexpo.com/pdf/plaspack-netze-gmbh/roll-up-sun-sails-soliday-2015/93246-245657-_9.html

I'd like to see a pic or image of the whole front , to get an idea of what would suit ( for example , do you have a timber front door or garage door that can be 'copied' or contrasted ; do you have rendered walls ; etc ? ) . In in NZ and I tried to look at the website , but it won't let me , but looking at some pinterest images , they do some interesting 'fake' ( oops sorry , I misspelt 'face' ) bricks -- some have 3 different tones of charcoal , another 'aged' cream brick look , and they do 'cultured stone' too . Without access to their website and pricing , or what your contract stipulates , there may be styles of theirs that suit ( even if you have to top up the $$$ ) but without full info , its hard to know what to suggest . The other thing that I often prefer in a column is to go with 2 or 3 materials to tie everything in -- maybe the bottom metre in a brick face to tie in with say a front wall , then a cap , then timber to tie in with a door or render to tie in with the majority of the exterior or whatever .

i would also omit the clerestory windows as the focus should be from the inside looking out, keeping the fireplace central allows for symmetrical joinery and the couches can then be placed to allow for a walkway and cabinets/shelves along the bathroom wall and keeps through traffic from obstructing a view of the fire, TV and the pool....keeping in mind that the only time we ever look directly at the external wall so carefully is on the plans... in the real world we see the wall looking close up from ground level in the side yard or from across the street from an angle but a simple faux chimney added to the external wall could be enough interest and/or if there's space for attractive landscaping a tall window matching the main house and a glass door could add cross ventilation, late afternoon sun and interest viewed from inside and out but consider a wider landing, steps and perhaps a porch roof if the side door will be used regularly