I think painting the walls lighter and brighter is the right move but don't be restricted to white necessarily - although that would be the safe option and you know for sure it would work! You could introduce a contrasting colour on the ceiling if the walls were white obviously dependent on your furnishings and other colour choices. How about a soft grey or "greige" as an alternative to the white? Finally, you could introduce a dado rail at approx 1m from the floor - painted white the same as cornice and ceiling and then paint the upper and lower sections in contrasting colours of say charcoal on the base and white above or 2 shades of the same colour.

Hi Maria, we love the wood but it is a little overwhelming in that space with the timber floor. A liming white is a great idea as mentioned by a few people here. This will let you have the best of both worlds, a lighter, brighter finish while still allowing the wood grain to show through. You could try Feast Watson Liming White Floor Finish (yes, it's not a floor but it has the size of a floor!) and build up the number of coats until you are happy with the amount of timber grain showing through. You'll probably need to give it a light sand first as it's most likely already got some type of coating on it. The other option would be to leave the walls as is and consider a large, light neutral coloured rug as pompom suggested on the timber floor and perhaps a good sized piece of art on the wall or white wall shelving instead of the dark side unit you have to reduce the amount of timber in the room.

Thank you, I have followed up on both links with no luck they no longer stock. So far all I've managed to find is something similar. If I was to get two of these in white as well and alternated would it work?

@ jmm1837....I think you are very courageous answering this exceedingly difficult question! The answer above is probably something like I would say. I've been an artist for many, many years but not famous, not well known although I've sold many works and can turn my hand to any style, my preference for my own interest is "in the style of Turner" I've written a book on Colour Mixing for artists which is a teaching text. I'd say that there are not many questions I cannot answer about Colour....with the exception of these kinds of questions....to which, in my opiion, I concur with you, there is no one answer. I often thank my lucky stars that I live in a 1900s timber home that resembles a log cabin inside....Queensland Hoop Pine VJ ceilings, walls and floors, silky oak arctic glass casements, Hoop Pine or Silky Oak doors...and the only colour is the furnishings...and I can't even decide on these! So - to ask me "What Colour" to paint the walls of a house for sale really jangles my brain! I've never had to resolve that dilemma here...I'm not going to paint it...ever! So how to assist in this dilemma? As you explained, jmm1837, older character home -use some colour, newer home with clean lines - light neutrals...so far I agree. BUT...I was watching one of those TV home reno shows...A couple who could not agree on any colour for anything and a designer ,( bless her persevering, understanding, patient, kind, and dog-with-a-bone determination) trying to help them do a reno. I was suddenly inspired ! I had encountered once a colour that contained all colours, that would 'go with' all colours but yet could be described as Lilac but wasn't...and Neutral but wasn't. Thinking "lilac" I think of demure, age appropriate attire and lace...so not very decorator inspiring. The particular LILAC they used for skirting boards, trim and door jams alike worked like magic! I can see readers screwing up their noses and almost hear others saying ERK...That was my reaction when the word Lilac was mentioned.... I did not take any notice what the brand was, I was too astounded by the finished effect. It wasn't Lilac, it wasn't grey...it was a colour but it was a neutral ....and it reflected a different shade depending on its position in the room and its proximity to soft furnishings. So....what's my solution? With both styles of home...think neutral with a tendency to the palest, palest of violetey greys maybe complemented with a drop of ochre ever so subtle...So a neutral to the eye but a colour depending on its position in the house, and keep it all the same, no accents...I believe the light and adjacent furnishings will work with such a hue. Colour is Magic. I'm convinced more than ever that it can morph into any hue. Just some thoughtful reflections from a colour fanatic.