Hubby and I have stayed in Venice twice, once with our young children. We took a vaporetto to Murano to visit the glassworks. Fascinating to watch the men work. The kids each were given a beautiful clear glass horse figurine, which all these years later they still treasure and display. On our last trip, we visited a small shop run by siblings. We purchased the last of a collection of seven pendant light globes their father had blown for the shop. They were all the same shape but different colours of glass. We purchased them for the new modern house we planned to build the following year or so. We are pleased and grateful to have such unique, handmade and time-honoured beauty embellish the spaces in our home, and the lights always interest guests and we then have a story to tell.

After I had finished my Archi Masters I was working for an architecture firm who also did a small amount of work for a volume builder. They were actually a pretty good quality builder and at least got the orientation of their 'pre-designed' plans correct. We had the ability to make minor changes to every job and it pained me to see so many simple to implement passive options not being incorporated. Had most of their clients known that they would be saving MONEY over the longterm by making a few minor changes to suit their site, they all would have done it. The problem is unless someone can sell this idea to them as a financial/lifestyle choice, many just think it is about saving the world. It is a no-brainer if you have in interest in it, but for those who don't know, there is no-one there selling it to them, especially on the lower end of the market.

Thank you for these colours Lesley! I MUST put a verandah though - the front garden is heavenly - 9 metres to the front with roses and fruit trees (though it looks rough here) and is high up opposite a park for a view. I plan to play guitar here of an evening and add more white, blue & purple flowers to the middle and a pergola with climbing roses for a Moon Garden.

I love using dark colours in the right places and in truth, there really isn't a colour that is true black - that would be a none colour and one that can only be truly matched and equalled by its exact equal and opposite (white) for balance and a striking visual effect - like in this kitchen where plenty of natural light streamed in. When I design my colour palettes using "black" there is always an undertone of another colour to contrast or blend (like in the picture you featured here of the formal room at Rothesay). At Rothesay I used a prominent magenta and blue base amongst 8 other pigments which is why it appears to have a rich depth and acts to highlight the ornate ceiling that we painted in Aalto Gallery white. The trims give it contrast but the complexity of colour reflects and absorbs the red accents in the room. In Feng Shui "black" represents water and can be used in the South area of your home (on this side of the hemisphere) - this can be a particularly soothing effect. I used a near black with a brown/aubergine undertone in this bedroom that was once the place of non sleep and now definitely the opposite is in effect. I love using a base colour in my blacks to punctuate bright colours and jewel like tones - it feeds the soul! After all no adventure can be had by playing it safe - right?