Hi Chookchook. I relation to your question about reproduction Murano Glass that is flooding the market, almost 99% of them originate from China. You will also find that almost ALL Chandeliers that claim to be Murano Glass that originate from China are hand painted and baked PYREX (a glass substitute) which is then sold off as MURANO GLASS. It is ILLEGAL to call a product that does not originate from or has not been made in Venice MURANO GLASS. You can call it "MURANO STYLE" but nothing else. Unfortunately, there are thousands of Chinese knockoffs claiming to be murano glass that are simply PYREX which has been spray painted then baked. This is why when you see a product advertised as MURANO GLASSf that seems to cheap to be true - this is why. Also, they MASS PRODUCE each and every Chandelier as almost every segment is blown into a mold, not mouth blown. If you look at a true piece of mouth blown glass, you will see what we call RIPPLE LINES which is where the glass expands and grows during the blowing process, very similar to ripples on a pond when a stone hits the waters surface. Also, you may see irregular randomly placed air bubbles in the glass which is not a defect, but a sure sign that what you are buying is indeed mouth blown. You will also find that the Chinese NEVER use REAL GOLD in their Chandeliers or any other item, only genuine MURANO GLASS used 24 Kt gold leaf which is rolled into the glass in the very initial stages of production. You will however find that Chinese do you a technqiue called AVVENTURINE which is where copious amount of Copper flecks are blown into the glass. The MURANO masters also use this technique but the quaility if EXCEPTIONAL, unlike the Chinese knock-offs. ALL products that we make originate in Venice and carry one or more of the following to assure you of its authenticity 1. An acid etched or diamond point signature of either the furnace or the Maestro or both 2. An attached lablel which will be either a Vetro Artistico Murano (VAM) label of the furnace or a PROMOVETRO CONSORZIO MURANO label 3. Depending on the furnace, an embossed Glass seal with each arm of the Chandelier signed an numbered 4. A certificate of Authenticity signed by and issued by the furnace who produced the Chandelier or any other item for that matter. As you can see, purchasing from any organisation who does not have a thorough understanding of and intimate knowledge of the furnaces in Venice, the techniques used by the Maestros and the various components and producton techniquesf that have been handed down through the centuries is leaving themselves open to huge financial risk If an item is being sold that is claiming to be AUTHENTIC MURANO GLASS, then the person you are purchasing MUST be able to provide you with a written legally enforacable guarantee, that certifies that what they are claiming to be murano glass can be traced back to a furnace and its origin confirmed. The Chinese WILL NOT do this as their products are PYREX, NOT glass so BUYER BEWARE. There is only 1 glass artist operating in China that has actually been trained in the use of just some of the techniques used by the Masters in Venice. Even he is not allowed to call his products MURANO GLASS but "MURANO IN STYLE". I trust this helps you understand exactly what you are dealing with when it comes to companies or individuals offering MURANO GLASS for sale. If they cannot prove it is indeed authentic and can provide backup documentation to support this, then DO NOT buy unless you really love it purely for its asthetic value. Being the largest Murano Glass delaer in the world, your only safety net when purchasing anything claiming to be MURANO GLASS is to do so through someone like us who provides you with a 100% ironclad guarantee of what has been mentioned above. Best regards Dean

I was also going to suggest that you drive around your area looking at any new builds, who's building them and what Architect/Design firm has been involved. You could introduce yourself to any builders that you felt you might be interested in working with, call the Architect etc to discuss. If you can find locals to do the Job that's a plus, if there are any problems they are on the spot to sort. One of our Houzzers had a very bad experience where the Structural Engineer changed something without consulting anyone which ended up causing a major problem and expensive to boot. As annb has rightly pointed out you don't need to employ the Architect for the complete job as this will be more expensive, if your builder is good at his job he will manage everything with your input. Architects plans can be more detailed/complicated and sometimes there may be the need for the builder to check back with him/her. Big plus is that you are building where you live and are able to keep tabs on how things are going, very exciting time for you and your family

Thank you everyone! Between you all you have summed up my concerns (changing bulbs, enough detail already in the stairwell, honouring the old house) and my desires (a nice lantern pendant or period light, LEDs need less changing, overhead lighting. I like the idea of the wall lights but we have not wired for this. There is wiring for for stair lighting (phew, glad we got that right) and one down light in the middle of the void. We have reconsidered a pendant as the one down light will be harder to change but are worried about obscuring the windows. Perhaps one of the simple fine-framed lantern pendants or white vintage light, on chains will be easier to change as we can pull it across to the stair, or a pulley pendant like this I'll post some more photos of our reno once its further on.

I was going to suggest a nice horizontal timber design -- and then I see the Deco-Clad post , which looks similar . Personally , I'd want samples , to see how 'real' it looked , and also do a cost comparison with actual timber . Depending on budget and how long you are wanting to live there , I'd also look at a light to mid-coloured stonework , or some of the veneers are very realistic too , but more expensive than nicely stained wood . Or for a real Wow factor -- how about some stonework , some timber , and even a water feature , possibly water rippling down the wall around 1.2 metre wide , maybe with a 300-400 wide vertical fern and herb garden either side -- takes advantage of any 'spray' , and adds life and vibrancy , as well as looks and variety ? No disrespect to Dr Retro and Julie Herbert , but my personal thoughts on Sycon and similar cladding is that it looks too modern for the existing brick ( what I'd term an 'old style' brick ) , but that's just me -- to implement successfully you'd want to work your way around the house and update quite a bit more , or it would look too obvious IMO .