Hi Chookchook. I relation to your question about reproduction Murano Glass that is flooding the market, almost 99% of them originate from China. You will also find that almost ALL Chandeliers that claim to be Murano Glass that originate from China are hand painted and baked PYREX (a glass substitute) which is then sold off as MURANO GLASS. It is ILLEGAL to call a product that does not originate from or has not been made in Venice MURANO GLASS. You can call it "MURANO STYLE" but nothing else. Unfortunately, there are thousands of Chinese knockoffs claiming to be murano glass that are simply PYREX which has been spray painted then baked. This is why when you see a product advertised as MURANO GLASSf that seems to cheap to be true - this is why. Also, they MASS PRODUCE each and every Chandelier as almost every segment is blown into a mold, not mouth blown. If you look at a true piece of mouth blown glass, you will see what we call RIPPLE LINES which is where the glass expands and grows during the blowing process, very similar to ripples on a pond when a stone hits the waters surface. Also, you may see irregular randomly placed air bubbles in the glass which is not a defect, but a sure sign that what you are buying is indeed mouth blown. You will also find that the Chinese NEVER use REAL GOLD in their Chandeliers or any other item, only genuine MURANO GLASS used 24 Kt gold leaf which is rolled into the glass in the very initial stages of production. You will however find that Chinese do you a technqiue called AVVENTURINE which is where copious amount of Copper flecks are blown into the glass. The MURANO masters also use this technique but the quaility if EXCEPTIONAL, unlike the Chinese knock-offs. ALL products that we make originate in Venice and carry one or more of the following to assure you of its authenticity 1. An acid etched or diamond point signature of either the furnace or the Maestro or both 2. An attached lablel which will be either a Vetro Artistico Murano (VAM) label of the furnace or a PROMOVETRO CONSORZIO MURANO label 3. Depending on the furnace, an embossed Glass seal with each arm of the Chandelier signed an numbered 4. A certificate of Authenticity signed by and issued by the furnace who produced the Chandelier or any other item for that matter. As you can see, purchasing from any organisation who does not have a thorough understanding of and intimate knowledge of the furnaces in Venice, the techniques used by the Maestros and the various components and producton techniquesf that have been handed down through the centuries is leaving themselves open to huge financial risk If an item is being sold that is claiming to be AUTHENTIC MURANO GLASS, then the person you are purchasing MUST be able to provide you with a written legally enforacable guarantee, that certifies that what they are claiming to be murano glass can be traced back to a furnace and its origin confirmed. The Chinese WILL NOT do this as their products are PYREX, NOT glass so BUYER BEWARE. There is only 1 glass artist operating in China that has actually been trained in the use of just some of the techniques used by the Masters in Venice. Even he is not allowed to call his products MURANO GLASS but "MURANO IN STYLE". I trust this helps you understand exactly what you are dealing with when it comes to companies or individuals offering MURANO GLASS for sale. If they cannot prove it is indeed authentic and can provide backup documentation to support this, then DO NOT buy unless you really love it purely for its asthetic value. Being the largest Murano Glass delaer in the world, your only safety net when purchasing anything claiming to be MURANO GLASS is to do so through someone like us who provides you with a 100% ironclad guarantee of what has been mentioned above. Best regards Dean

Firstly...are you sure they are jarrah and not som other more exotic timber? If you are fortunate enough to have a genuine 1932 built cottage I say "Don't Do it!" Just look at the beautiful timber in that floor! It would be sinful to paint it. I have a 1924 cottage with beautiful hoop pine floorboards all from the day it was built. My suggestion is to have the boards sanded and polished. I would not even dare go near them with polyurethane. I have turned back the clock and used the methods of the period of the house...a mix of pale boiled linseed oil and kero. Put it on with a mop or a deck mop or a wool mop leave it soak in. Re-do and leave it soak in,,,( you won't get patches...the floors will just soak it up.) Third coat, add a bit of turps to the mix as a white ant deterrent. Then, when the floors look like they've soaked up enough, get a big old fashioned string mop...if you can find one...or use a deck scrubber and old towels...or even a wad of new ones...100% cotton...its worth it, and rub off as much of the surplus as possible...wear sox so you will notice when the sox do not get oil stained anymore. First go is a long process but you will be really pleased when the floors have had several "drinks". After that you could get just an ordinary floor varnish or oil or just a sealant. Some of the modern wood treatments are really good. Then, every so often do the boards over with your "Oil Mop". You will never find timber like that again and, in my experience, it adds to the value of the house big time. Do what you like to any gyprock and plastered walls but PLEASE love your floorboards and any natural timber...especially from that era. I've been in this old cottage for 32 years. Everyone wants to know where I sourced the "new" floorboards", and who did I get to make my silky oak windows! Hope that helps.

Hi there, re the fence my choice would be the same colour as house with either same colour slats or your window surfmist both would look classic, definately NO timber here. Because you are on a corner block I'd be planting a hedge inside the fence with something like Murraya asap, Jim Henson could advise. I would consider Pleaching them up to where the slats start so that you could under plant with something pretty, I'd also consider adding garden lights as per attached photo. plus I would also consider putting "Eye lid" down lights on the exterior posts of the fence, this could add great street appeal for your wonderful very large house (is your whole family moving in. The garage, either same as wall colour or Monument is my choice. cheers,

Go with your gut Tracy..... it is a big investment but I have found that if it makes you smile every time you walk into your kitchen you'll never regret it!!!! I've recently moved into a smaller downsized home with my 3rd black kitchen, with drawers, no cupboards, except for the pantry which we use as the crockery and wine glasses stash. Mine is matt but no handles = no hip bangers! I chose to use snow white stone bench tops, the walls are painted natural white while the floors are pale oak hybrid vinyl.