If you are at all fussy about what you eat, you must cook. It's as simple as that. But if your kitchen isn't well designed, and far too many aren't, cooking becomes more difficult or dangerous. I see a lot of stories on sites like Houzz about kitchen design that are all over how a kitchen looks, but not so hot on how they work. A kitchen isn't a room, it's a tool. Yes, the individual components should work, but they should work together, too. Cupboards should be structured so that you never have to kneel to get something, you never have to push jars aside to get the one you want, and you never have to lift heavy things from above your head. You should never bang your head on a cupboard door handle reaching to the back of the bench, either. And of course they should make it easy, almost inevitable, to put your floury or greasy hand on exactly what you need within two seconds - the time it takes a sauce to curdle - of you deciding that you need it. Designers pay lip service to ergonomics, but as a rule haven't a clue what it means. A kitchen sink, for instance, should be sited so that the person who does most of the washing up, even if that is only rinsing stuff on its way to the dishwasher, doesn't have to stoop (bad for the back) or reach (carrying your arms ahead of your body is tiring) to use it. Surfaces. Every kitchen where anybody at all is ever likely to make pastry NEEDS a stone slab. It stops the butter layers from melting into the paste layers because it's cool. This, people, is why granite benches are a thing. You just can't do the same job on wood. Or stainless steel, for that matter. The stone slab needn't be any bigger than 600mm square, but it really should be there. Speaking of wood, any kitchen surface you can't put a cake fresh out of the oven or a pan straight off the hotplate on is a bit useless. It looks nice? Sweet. You've got frilly curtains in your machine shop, right? My core expertise is in garden design rather than kitchen design, but I've been cooking in good and bad kitchens for fifty years, and in any case, bad design is bad design, wherever it rears its ugly head!

We are still building and just had the power cable put in and I insisted on a landline cable to go in at the same time. Living in the country means bad reception or blackspots for mobiles as mentioned earlier and it isn't being fixed none too fast either!! We also have allot of older clients who still prefer to contact us on a landline because they dont all have mobile phones or if they do, they have the isues just mentioned, blackspots etc... and mobiles are still considered by some to be a financially extravagant way to make contact versus a landline!! I guess the young ones don't remember a time when there were local and STD or long distance calls which used to cost an arm or a leg and these STD calls didn't mean you were calling interstate, it could be as simple as being 40km away. I have a fixed landline monthly plan at very little cost which covers all local and STD calls and I could if I chose to, talk for several hours, still at no extra cost compared to a mobile. Mobile plans are at a fixed rate like say getting $300 worth of free calls for $35 but you go over that plan and you can get a fair shock when the bill arrives. Landlines as mentioned earlier are safer to use, always have clearer reception and really are still the cheapest way to keep in touch from home.

Agree with everyone who said that art should speak to them and not be purchased simply to match existing décor. I am a bit of an art hoarder. I have so many pieces of art that I buy simply because I love them or they really do speak to me! I do not have enough walls to hang all my art, so I simply recycle them. I move them around or replace one with another over and over again. When I purchase art for clients I do so in various ways. Art auctions, galleries, online, commissions etc. it really depends on what the client's budget is, how far I can push the client's boundaries but still stay within the parameters of what they like, and most importantly, how the art makes the client feel! I never buy art for a client and just install it without their imput because what speaks to me may not speak to them! I really like your pieces TJG creative! I happen to love photography however, most clients ( at least the majority of the ones I have worked for) seem to be glued to the idea of paintings. every now and then I manage to convince a client to include black and white photography in their home and I do this by bringing my own pieces in, showing them how wonderful they can be in their space and they are usually keen then to purchase some of their own. I try to steer away from art prints if possible because in my opinion, something original can always be found to suit anyone's taste and budget. By buying original artworks, we are supporting our local art communities and encouraging new and emerging artists to continue pursuing their dreams. Good luck with your venture and I will certainly keep your works in mind if the opportunity arises.

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