Design ideas for a mid-sized scandinavian hallway in Boston with white walls and light hardwood floors.

This is an example of a scandinavian hallway in Ottawa with white walls and light hardwood floors.

Scandinavian hallway in Other with green walls and light hardwood floors.

This piano room was turned into a reading room. We designed and built a wall shelf made out of wood planks with a mirrored back to enlarge the space and display art and home accessories.

A visual axis from the entrance gives a perspective of depth to spaces in the house. Subdued tones of white and timber, lit with natural light creates a fresh and inviting experience. Design Architect: Allan Powell Project Architect & Interior Designer: Hindley & Co Interior Styling:: Hindley & Co Photography: Robert Blackburn

Inspiration for a mid-sized scandinavian hallway in Valencia with white walls and light hardwood floors.

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

Der designstarke Raumteiler, eine Hommage an den Industriedesigner Jindrich Halabala, die Adaption eines Eames Lounge Chairs und die französische Designer Deckenlampe bringen Stil und Struktur.

Fotograf: Jens Schumann Der vielsagende Name „Black Beauty“ lag den Bauherren und Architekten nach Fertigstellung des anthrazitfarbenen Fassadenputzes auf den Lippen. Zusammen mit den ausgestülpten Fensterfaschen in massivem Lärchenholz ergibt sich ein reizvolles Spiel von Farbe und Material, Licht und Schatten auf der Fassade in dem sonst eher unauffälligen Straßenzug in Berlin-Biesdorf. Das ursprünglich beige verklinkerte Fertighaus aus den 90er Jahren sollte den Bedürfnissen einer jungen Familie angepasst werden. Sie leitet ein erfolgreiches Internet-Startup, Er ist Ramones-Fan und -Sammler, Moderator und Musikjournalist, die Tochter ist gerade geboren. So modern und unkonventionell wie die Bauherren sollte auch das neue Heim werden. Eine zweigeschossige Galeriesituation gibt dem Eingangsbereich neue Großzügigkeit, die Zusammenlegung von Räumen im Erdgeschoss und die Neugliederung im Obergeschoss bieten eindrucksvolle Durchblicke und sorgen für Funktionalität, räumliche Qualität, Licht und Offenheit. Zentrale Gestaltungselemente sind die auch als Sitzgelegenheit dienenden Fensterfaschen, die filigranen Stahltüren als Sonderanfertigung sowie der ebenso zum industriellen Charme der Türen passende Sichtestrich-Fußboden. Abgerundet wird der vom Charakter her eher kraftvolle und cleane industrielle Stil durch ein zartes Farbkonzept in Blau- und Grüntönen Skylight, Light Blue und Dix Blue und einer Lasurtechnik als Grundton für die Wände und kräftigere Farbakzente durch Craqueléfliesen von Golem. Ausgesuchte Leuchten und Lichtobjekte setzen Akzente und geben den Räumen den letzten Schliff und eine besondere Rafinesse. Im Außenbereich lädt die neue Stufenterrasse um den Pool zu sommerlichen Gartenparties ein.

Die Galerie im Obergeschoss wurde hell und freundlich gestaltet. Durch die Dachfenster kommt viel Licht ins Haus.
Design ideas for a large scandinavian hallway in Other with white walls and light hardwood floors.

Scandinavian hallway in Gothenburg.

Photo: Holly Marder © 2013 Houzz
Photo of a scandinavian hallway in Amsterdam.

Design ideas for a scandinavian hallway in Other.

Inspiration for a scandinavian hallway in Copenhagen.

Martin Gardner, spacialimages.com
Photo of a scandinavian hallway in Hampshire with concrete floors and white floor.

This is an example of a scandinavian hallway in Phoenix.

Design ideas for a scandinavian hallway in Atlanta.

Dans un appartement années 60 de 3 pièces et vieillissant, à la décoration et l'aménagement d'un autre âge, mais sans charme, le projet consistait à ramener de la modernité. Le hall, la cuisine et le séjour sont maintenant réunis en une grande pièce de vie, une porte coulissante est installée entre l'espace nuit et jour. Du contraste et de la chaleur ont été amené dans l'espace de vie avec de la couleur et des aménagements en bois ajouré dans le hall, laissant de la transparence. L'ensemble du sol de l'appartement était en marbre et très endommagé il a été recouvert par un parquet en "vrais bois" et l'ambiance en a été complètement modifiée. L’électricité a été entièrement refaite encastrée dans les cloisons et doublage briques, les protections ont aussi été complétées dans un tableau aux normes et sécurité actuelles. Toujours difficile a traiter, le couloir a reçu une teinte lumineuse sur un seul côté de manière à l'animer.

Cristina Cusani © Houzz 2019
This is an example of a small scandinavian hallway in Naples with white walls, medium hardwood floors and beige floor.