A couple of things from me. Firstly, the cornice painted a yellow makes the ceilings feel lower than necessary, paint them out white or as per tour ceiling rather than accentuate the highest perimeter moulding, you don't want yo draw attention to the highest detail not being high! Secondly, to make the room feel fully addressed the window has to be looked at in context of your room. The house style is important, but more so the room space and light. As you have a verandah you probably have in direct sunlight, but the room is not large, so i would try to make the window feel part of the bigger picture rather than contrast with it. Which is what the red does, effectively looks like a red rectangle dominating a small wall. Do the opposite, taking colour cues from the room will make it feel unified, therefore bigger. The caramel carpet, for me is where I would draw upwards from. I suggest a rattan roman blind, the texture and stiffness will resolve that terrible sag, let in diffused light and provide a natural element needed in country style schemes. It allows the scenery to stand out, and colour is easily built upon it. If you need further blackout, you can install a uv cheap roller blind within the window frame, which would be hidden from view by the roman blind, so it can remain up most times and the roman can frame the beautiful view, allow light and then use the roller as your night privacy blackout blind. Most Romans look best as a frame treatment, they dress the window better than they function on them. Shutters would also be stunning with their play and filtering of light, but costly. And just a tip, your bed would feel far more luxurious in that space if it were not heavy in colour, the metal and timber, both which are not genuine as in fake cast iron and artificially stained orange pine date your space, that is not a dig, just an observation. You could do an upholstered bedhead for a luxurious look that a linen would tie in with the soft furnishings, you can address colour in many ways, but the blinds, carpet and bedhead should be neutral unless you can afford to upgrade often?.. A layering of texture and tones rather than colour is far softer in a country space, that's why it's done often, creamy whites on a caramel carpet will really brighten and freshen that space, , timber lamp bases, fabric shades, plush pillows and personality pieces, you'll have a space you can't wait to get to. I hope this was helpful!

I took no offense to your comments at all. I'm not swayed either, nor biased by the laminex group. I'd myself go with the lexicon 1/4 to get that perfect match to your interior, polar white is very Starck, like paper, and I beleive is still in the core range??? As for the tab top handles, they are probably what your calling finger pull, if so they will be mounted on the top side of the door and you just use a finger to pull out the lip and they are almost invisible. THe next best thing to a shadow line or finger grip detail. If this is the case, that's why the warranty is void! The joiner will need to shave mm off and slightly rebate this handle to close properly. Any cutting not a vinyl panel voids it's warranty, as it's like cutting open vacuum sealed salami and returning it for refund! Anyway they can avoid this by excluding this handle from offer, or anticipating its selection in the process before ordering doors, so they can reduce the door height by 10mm to accomodate etc, etc. I'm not sure why the warranty is less than the vinyl door than the painted ones, I think your referring to colour tech painted doors? There is also crystal gloss wi a polyurethane finish. Lastly, albedor and tesrol are Australian made vinyl doors, albedor has an extensive profile range of doors, one of the largest, a strong reputation and their service reps are well informed so specifiers always have a great relationship with them. Tesrol I like because they have great provincial accents or accessories like their capping moulds and elements to make a traditional kitchen quite grand a scale, usually only an optin for cashed up kitchens. They are based in NSW, but even in Melbourne, they always met our needs, although slitly dearer. And laminex doors, take the lead off both of those companies, and made here also. They have a very strict quality control, and although vinyl is not their primary product, they do well for service. There are many more worth mentioning, but I myself always ask the joiner who they order through, and ask for their vinyl brochure to select from. If they are not made in oz, then ask for another product, or another joiner. No sense in saving cost on a product which relies heavily on warranty guarantee, replacement and service will be met easier and quicker locally than imported, and more important, our strict standards are regulated to monitor the use of arsenic and formaldehyde, and is not adhered to in many imported door ranges.

A great concept, I've often considered doing so myself. Whats great about your bodo boards, and the schemes put together on this poll, is that they are quite adaptive with a neutral foundation. They can be easilyapplied to everyone. I love an emphasis on tone and texture, and in place of colour, visual interest is really added by accents, architecture and artwork. The australian bush scheme is very textural, although I think the palette could explore some of the more chromatic tones in our bush, some organic notes of green and taupes, but perhaps with vibrant yellows or deep indigos for example introduced. as for the romantic industrial, lovely, but it is only so because of the rose pink. A feminine take on industrial would to me be softened with humanised accents. Please explain, industry is mechanical, and romance or femininity is softness, so perhaps signage featuring lettering, or bespoke handicrafts which show the connection between industry, and loved spaces created out of collecting. Almost a way of feathering our nest. waterfont is cool, calm and yes collected. Literally. I love coastal schemes, but they can become a little predictable when they are literal interpretations of sea and sand. Coastal can easily be adapted to a relaxed style and I feel many colours can be applied to demonstrate this costal palette. . The key is in muting the scheme and enhancing the textures from nature. Tha grand! Oh the grand. I love it. Who doesn't really. Its very now, but the drama and edge is lost in applying same old collaborations. The geometric tile, chevron, hexagonal or penny rounds are gorgeous, and befitting the current style, but more so appropriate in specific architectural styles, not everyone an have a warehouse or loft, or grand 1920s residence, although we all try to use these same materials and formats. Precious metals and stones are the height of popularity and luxury, brass, marble and glass, are all in favour, actually have never been out of it. What I want is to see the used in a contemporary fashion. It is my pick, because it actually does respond to my own homes architecture, so I'm always on a hunt and gather of images and ideas to develop this gorgeous and luxe style. Whats next? Usually in an effort to be new and different, we move away from what's in front of us, but ever so gradually. I think the appreciation for industry, form and function, man made objects, formats, collaborations will be in favour for some time, so to in an effort to be different, organic will evolve. Colour notes, timbers, sustainability and natural form will emerge. Not to say literall greens or Browns, but more so, soft geometry, tactile materials and surfaces, perhaps a focus on light and shade over shimmer and style. bespoke practices, so things if stone and wood, and one off designs, as in using products that can't be replicated in process, like bricks, every ones different, veneers, grained materials, and unpretentious designs. Hand scribed lines, patterns or prints, I think will favour. Thestyle of now is definitely one we aspire to, as in luxe and indulgent, the monochromatic scheme which is actually ACHROMATIC people is overdone, but will never be out of favour. It is classic. When done right, it is the epitome of style, only the definition of that is what changes! love what you do....I can't articulate the value of conceptualising your style in finishes and fittings, design is often felt not learnt, and we respond to our environments, so it makes sense that seeing your style emerge from a collective consciousness in the form of a board, will literally transform your ideas in reality. As a designer myself, I'm constantly creating them. My own home is a work in progress, which I've created many concepts for. I'm very interested in seeing your perspective on it though, and I'd be very grateful for a bodo board from your design perspective. ml

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