Expansive scandinavian wood l-shaped staircase in Melbourne with open risers and glass railing.

Inspiration for a contemporary floating staircase in Paris with open risers.

Inspiration for a contemporary wood u-shaped staircase in Madrid with open risers and glass railing.

Angus Martin
Photo of a large industrial wood straight staircase in Brisbane with open risers and metal railing.

This is an example of a contemporary curved staircase in London with open risers.

A true sculptural masterpiece. St Vincent Place is the result of advanced craftsmanship and an intricate contemporary design. A curved profile features geometric strings and an open rise. American Oak treads and a sweeping continuous handrail strike an elegant balance between the rich timbers and steel balusters.

Architecture & Interiors: Studio Esteta Photography: Sean Fennessy Located in an enviable position within arm’s reach of a beach pier, the refurbishment of Coastal Beach House references the home’s coastal context and pays homage to it’s mid-century bones. “Our client’s brief sought to rejuvenate the double storey residence, whilst maintaining the existing building footprint”, explains Sarah Cosentino, director of Studio Esteta. As the orientation of the original dwelling already maximized the coastal aspect, the client engaged Studio Esteta to tailor the spatial arrangement to better accommodate their love for entertaining with minor modifications. “In response, our design seeks to be in synergy with the mid-century character that presented, emphasizing its stylistic significance to create a light-filled, serene and relaxed interior that feels wholly connected to the adjacent bay”, Sarah explains. The client’s deep appreciation of the mid-century design aesthetic also called for original details to be preserved or used as reference points in the refurbishment. Items such as the unique wall hooks were repurposed and a light, tactile palette of natural materials was adopted. The neutral backdrop allowed space for the client’s extensive collection of art and ceramics and avoided distracting from the coastal views.

Inspiration for a contemporary wood u-shaped staircase in Melbourne with open risers.

Image: Chris Snook © 2014 Houzz
Photo of a small contemporary wood curved staircase in London with open risers.

Orbit Homes
Photo of a contemporary wood u-shaped staircase in Melbourne with open risers.

Inspiration for a mid-sized midcentury wood u-shaped staircase in Brisbane with open risers and wood railing.

adamcarterphoto
Inspiration for a contemporary wood floating staircase in Wiltshire with open risers and cable railing.

Sandy Steele Perkins Photography
Photo of a country staircase in Dorset with open risers.

Limed timber stair treads on the staircase, and matching limed original timber floorboards weave together consistently through the spaces as if they had always been there. A book filled bookshelf is nestled between the studs of a wall supporting the staircase, and supposed by a delicately detailed balustrade over to allow the light through. © Edward Birch

Mittelholmtreppe mit liegendem Edelstahlgeländer
Design ideas for a large contemporary wood curved staircase in Other with open risers.

Jaime Diaz Berrio
Photo of a large contemporary wood curved staircase in Melbourne with open risers.

Whitecross Street is our renovation and rooftop extension of a former Victorian industrial building in East London, previously used by Rolling Stones Guitarist Ronnie Wood as his painting Studio. Our renovation transformed it into a luxury, three bedroom / two and a half bathroom city apartment with an art gallery on the ground floor and an expansive roof terrace above.

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Transitional metal curved staircase in Other with open risers and metal railing.